Reviewer: Megan Hyland
Upstaged Rating:⭐⭐⭐
In Ceci n’est pas Noire (This is not Black), Alesandra Seutin is bold, colourful and fearless. She explores her African and European background through an innovative blend of dance, spoken word, song and theatre. She moves effortlessly around the stage, commanding every inch of it with her fluid movements and vibrant personality. She mixes humour and sincerity, drawing the audience in as she lays out the rules. However, from that moment on, attention begins to waver.
The transitions between movement and other art forms felt awkward and stilted, especially when compared to the fluidity of Seutin’s movements. And though from the start, the piece promised to be an insightful celebration of culture and belonging, the overall message was lost. Although towards the end of the piece, the message did start to be developed, the piece seemed to finish almost too abruptly, leaving the message feeling unfinished and altogether less impactful. However, there is still something to be said for the way that Seutin is unapologetically herself and the effort with which she undertakes the performance.
Clay also began very promisingly, combining the contemporary dance skills of Asha Thomas and flamenco talents of Yinka Esi Graves with the artistry of flamenco guitarist Guillermo Guillen. The synchronisation and intensity of their movements is striking, seamlessly combining their differing styles into a fiery, passionate piece. The live music of Guillermo Guillen adds feverish excitement, although even his talented strumming could not stop the performance from falling flat in places.
Once again, the overall story of the piece was lost in translation, though that is not to say that the piece was not enjoyable. It contained some particularly exciting and intricate moments, though the pace at times was lost. And although the production was not entirely seamless, the combination of the talents of Graves, Thomas and Guillen is faultless.
Despite the confusion surrounding the overall message of the two pieces and some pacing issues, the effort and commitment of these women is undeniable. Throughout both pieces, their sheer determination is clearly visible, as is their talent. This magnificent celebration of several different cultures and art forms is sharply unique.
-Megan Hyland
Ceci n’est pas Noire and Clay runs at The Bernie Grant Arts Centre, London on Saturday 17th March 2018.