I was thrilled to attend HOME in Manchester last night to watch the weird and wonderful production, GOLEM by theatre company 1927 Productions. Following rave reviews at the Young Vic and then the West End, I was eager to find out what the Northern audience would make of this unique piece of theatre which fuses animation, live performance, music and claymation.
Golem is like nothing I have ever seen before. It is a potent 90 minute brew of witty animation and quirky physicality – the sharp interaction between the performers and Paul Barritt’s eye popping animation is skilful and is carried along smoothly by LillianHenley’s brilliant silent movie-esque score.
Greeted by the voiceover ‘We live in a world where people want for nothing, we are safe and secure – we are progressive’ we are introduced to the family, librarian Annie (Charlotte Dubery), her nerdy brother Robert (Shamira Turner) and their Granny (RoseRobinson).They are a creepy looking crew who look as though they have been peeled from the pages of a Roald Dahl book. Annie fronts a punk band called Annie and the Underdogs, whose members consist of her gawky brother Robert and their equally awkward looking peers.
Writer and director Suzanne Andrade turns the Jewish myth of bumbling clay monster Golem into a modern day commentary on consumer capitalism, when Robert visits the sleazy inventor Phil Sylocate (Will Close) to purchase a Golem of his very own.
Golem, with the silky voice of Ben Whitehead from Wallace and Gromit, reminds me of Tony Hart’s Morph except considerably more well endowed. At first the heavy setted clay creature seems kind and helpful when he speeds through Robert’s work ‘backing up the back-up’ at the technology company. Though, it soon becomes apparent that Golem is a strike at technology and and how quickly it can take over. With Robert now a more fashionable version of himself and with a girlfriend in tow – it’s only a matter of time before Golem version 2 is released ‘ Move with the times or you’ll be left behind’ it repeats – speedier, compact and even more controlling.
Golem manages to integrate every single artistic element immaculately – from the writing to the lighting scheme. The animation becomes a character of its very own – with the actors popping their heads through windows and doors in the screen as the Looney Tune style spotlight finds them. The energetic cast of five play many different characters between them with Lillian Henley and Will Close also nipping about to play the live soundtrack on the keyboard and drums either side of the stage.
Golem is a true theatrical spectacle, inventive and perfectly synchronised – but don’t just take my word for it, go see for yourselves…
Greater Manchester Fringe Festival is taking place across 19 different venues in Greater Manchester throughout the month of July. There really is something for everyone – comedy, revivals, new writing, spoken word , dance and exhibitions.
I managed to talk to Cameryn Moore (Phone Whore) and Michelle Ashton (The Stars are Made of Concrete) ahead of opening at The King’s Arms in Salford.
We had a good natter about intimate theatre spaces, sex chat lines and Manchester…
Newcastle based company, associate artists at Northern Stage and Edinburgh Fringe 2014 favourites, The Letter Room are bringing their new show Five Feet in Frontto the Lowry Studio next week.
The Letter Room will debut Five Feet in Front in The Lowry’s Studio on Thursday 25th and Friday 26th June as part of the Lowry’s ‘Developed With’ scheme. Five Feet in Front will then be travelling to the Edinburgh Fringe in August as part of Northern Stage’s ‘Made in the North’ programme – making this the perfect opportunity for Greater Manchester audiences to boast that they saw it in Salford first.
The Letter Room’s previous show ‘Bonenkai’ received a special commendation from The Musical Theatre Network Awards at Edinburgh Fringe 2014 and through The Lowry’s ‘Developed With’ scheme The Letter Room have received an extensive package of financial support and mentoring helping them in the next stage of their work.
Five Feet in Front, directed by Northern Stages Associate Director Mark Calvert, is set down in dust bowl America. Little Johnnie Wylo must fight to save her town, before a dust storm engulfs them all. In this new musical theatre production, The Letter Room make Loud Noises and Bold Choices playing live instruments so audiences should prepare for a hoedown.
Five Feet in Front also marks the beginning of a new collaboration between the company (Newcastle based Michael Blair, Alice Blundell, Maria Crocker, Meghan Doyle, Stan Hodgson and Alex Tahnée) and writer Chloe Daykin.
Company member Meghan Doyle said: “We are so pleased to have worked with The Lowry so far on this show and we can’t wait to get it in front of an audience.”
Five Feet in Front is at The Lowry on Thursday 25th and Friday 26th June.
The show starts at 8pm. Tickets are £12 (£2 off for concessions).
Kathryn Hunter in Kafka’s Monkey. Photograph Tristram Kenton
Date: 17 JUNE 2015
Upstaged Rating:
There are not many performers who could accomplish what Kathryn Hunter has achieved in this version of Kafka’s A Report to an Academy, interpreted for the stage by Colin Teevan and masterfully directed by Walter Meierjohann – her transformation to a monkey is beyond physically impressive. Hunter is wholly mesmerising throughout the performance- from the top of her jaunty bowler hat right down to the tips of her crooked fingers when she extends her hand to greet. She holds a command over the language and projects it with a rich and expressive tone of voice and incredible physicality. From the moment that we first see her shuffle across the stage, her body depicts a bewildered beast trapped halfway between ape and human. Hunter performs with wit and precision – furrowing her brow, her arms swinging and contorting uncomfortably and her loping gait – every sinew of her body works to create an entity trapped between the two different states of being. Startled by the world, she exhales heavily through her nostrils admitting that questioning freedom “leads to the most profound disillusionment”.
Monkey tells the story of an ape that is captured in Africa and in order to survive decides to learn how to behave like a human being. It is a solo performance that runs for just under an hour during which Kathryn Hunter’s Monkey addresses an audience in a lecture hall. We are that audience and we are referred to as ‘esteemed members of The Academy’.
Hunter is supported by Nikola Kodjabashia’s hypnotic piano score and Steffi Wurster’s simple set design which uses a projection of a monkey caged by a light box, this allows the monkey to relate to her former self, before she decided to behave like a human, and also gives the sense of a contemporary academy. Mike Gunning’s striking lighting design moves through from a crisp spotlight during a jovial tap dancing routine to majestic silhouettes which appear to tower down over the half-woman, half-ape.
This is a rare treat for a Manchester audience and if there is anything that you need to see at the theatre this summer – Kafka’s Monkey is that. And now I am totally convinced that this production puts our new arts space HOME on the map and most certainly for me ‘there was no place like HOME’ yesterday evening.
-Kristy Stott
Kafka’s Monkey is running at HOME until 27 June 2015.
Constellations, written by Nick Payne, follows the relationship between a man and a woman from the first time that they meet each other at a barbeque. The play is built on the quantum multiverse theory and goes on to visit Marianne and Roland at six different points in their relationship – exploring how certain situations, conversations and decisions can change the course of their lives together.
Constellations first premiered at the Royal Court Theatre in London in January 2012 and it is hard to compare it to anything that I have ever seen. The trick of the play is that the two highly talented actors remain visible on stage for the whole 70 minutes duration and they constantly replay scenes in their relationship. Their conversations and experiences take place in the multi-verse, where the past, present and future exist at the same time. It is an intimate comedy about connecting and relationships, the funny and the tragic but there is an overwhelming sense of spontaneity – Marianne and Roland inhabit a place where anything could happen.
Louise Brealey, probably best known for her role as Molly Hooper in Sherlock, is especially captivating as Marianne alongside the easy going bee-keeper Roland, played wonderfully by Joe Armstrong. Set to the beautiful backdrop of a stage filled with balloons, this play is a real showcase for Louise Brealey and Joe Armstrong’s outstanding acting skills.
Nick Payne’s script is truly magnetic as we watch Marianne and Roland’s relationship unfold before us – it’s like a powerful collision between science and nature, as we watch the quantum scientist and bee-keeper explore their relationship through a series of different moments in their lives. Each situation plays out slightly differently each time due to the decision that the characters make and as the audience we are fascinated to see which turn their story takes next.
The wonder of this production is that we do not know which way the story will play out until we do reach the final moments with Marianne and Roland. In the whole 70 minutes we have laughed and been moved by their relationship and the turns that it has taken. Ultimately, in my cosmic universe Constellations is a dazzling, thought-provoking and intelligent triumph.
-Kristy Stott
Constellations is at The Lowry, Salford from 9 June 2015 until 13 June 2015
At 3.40pm on May 11th 1985, a small fire broke out in the main stand at Valley Parade football ground during the final match of the season. Within four minutes the wooden structure was ablaze.
The Bradford City football ground fire was the worst fire disaster in the history of English football and this year marks its 30th anniversary. Fifty four Bradford City supporters and two Lincoln City supporters lost their lives in this tragic event. Sheffield based FYSA Theatre Company have produced this remarkably moving piece of documentary theatre wholly from real life testimonies and interviews with witnesses. This unique theatrical experience brings the audience closer to the raw emotions of the survivors and provides a truthful retelling of individual stories.
Under Matt Stevens Woodhead’s uncomplicated direction, the three actors give powerful and poignant performances as they look directly out into the crowd, each sharing their traumatic accounts – from the first signs of smoke through to their experiences in the hospital burns unit. The stage is set very simply with a wooden football stand construction and there is little movement from the performers, except when they move into the stand for a section of the play – it all makes for a fitting and respectful tribute.
Perhaps what makes this courageous play all the more authentic is the way that TomLodge, Will Taylor and Danni Phillips deliver the tiny details and idiosyncrasies of everyday speech. The piece also has a strong sense of camaraderie and pride and is freckled with humour, which makes for a convincing and touching representation, revealing solidarity, strength and community in the face of overwhelming tragedy.
The 56 certainly moved many people in the audience to tears on the night that I attended. However, the company also managed to establish a resounding sense of Yorkshire pride, bravery and community when they described people helping each other to safety during the atrocity and then supporting one another through the aftermath.
The 56 is a considerate and emotional tribute to all who were affected by the fateful events on May 11th 1985. If you do get the opportunity to see this production, I would urge you to go.
All profits from The 56 are donated to the University of Bradford Plastic Surgery and Burns Research Unit.
Adapting Harper Lee’s Pulitzer Prize winning novel, To Kill a Mockingbird, for the stage is a brave decision to make. The novel has recently celebrated it’s 50th anniversary and besides being a staple on the GCSE curriculum, it has been translated into 40 languages and sold over 30 million copies worldwide. This humble, poignant and charming stage adaptation by Christopher Sergel pays homage to the legacy of the novel and everyone who has read it.
With simple staging the cast present the story of racial injustice in a small-town community in the Deep South. Lawyer Atticus Finch is in seek of the truth when he represents Tom Robinson, who stands accused of rape. The narrative is told through the eyes of his daughter, Scout who is a feisty and inquisitive young girl.
The play opens with the whole of the cast holding various editions and well thumbed copies of the novel in an acknowledgement to the text. Under Timothy Sheader’s skillful direction, the company then remain visible throughout the production, each holding and reading their copies of the book at each side of the stage. All costume changes are all performed with little fuss on stage, in a bid to create the insular society that the characters inhabit. And musician Luke Potter plays a colourful folk soundtrack composed by Phil King, which hints at the slow pace of life in Maycomb.
The simple stage design by Jon Bausor creates a perfect canvas for the storytelling to shine, as the cast read excerpts from the novel, staying true to the texts original form. Daniel Betts gives a captivating performance as Atticus Finch, particularly during the court scene. Scout (Rosie Boore), Jem (Billy Price) and Dill (Milo Panni) certainly impress, especially when so much hinges on the quality of the child actors in this production.
Perhaps my only qualm is that the production does take for granted that the audience have all read the text – Boo Radley’s character is not really explored enough for us to fear him and as a result the ending does lack some depth. Nevertheless, this is a production which is definitely worth seeing and not just by those studying for their GCSE’s.
Now in its fifth year, it’s a week-long run of amazing solo and one-to-one live art, spoken word, comedy, dance and theatre performances. And this year Contact Theatre have a bold line-up of artists including Chris Brett Bailey, Jackie Hagan, Keisha Thompson, Cheryl Martin, Jamie Lewis Hadley and the vacuum cleaner, as well as premières from last year’s Contact Flying Solo commission winners Louise Orwin and Ester Natzijil.
For those fancying a bit of Shakespeare -Northern Broadsides production of King Lear is at The Lowry from 5th May until 9thMay 2015. Renowned for their down-to-earth performance style, Northern Broadsides have won over a whole new generation of Shakespeare fans. And if you want to treat yourself to a rock ‘n’ roll musical inspired by Shakespeare’s The Tempest, the Olivier Award winning rock spectacular Return to the Forbidden Planet blasts into The Palace Theatre, Manchester from 4th May until 9th May 2015.
The premiere of Jim Cartwright’s The Ancient Secret of Youth and the Five Tibetansstarring Denise Welch, Tom Mannion, Eric Potts, Lauren Drummond, and Matt Tait is running at Bolton Octagon until 23rd May 2015.
Box of Tricks Theatre Company present Plastic Figurines at The Lowry on the 6th May and 7th May 2015.
“Mum told me that there was something in his brain that was different, she said that he liked to put his toys in lines and that was a symptom or whatever. I used to go in his room and see all his stuffed animals in a line and I’d mess them up. I’d mess the line up.”
Inspired by events in the writer, Ella Carmen Greenhill’s own life, Plastic Figurines is a funny and moving new play that explores autism and the relationship between siblings with very different views of the world.
From 10th May- 17th May…
The story of the greatest middleweight never to be champion, Len Johnson ‘Fighter’is showing at Studio Salford in The Kings Arms in Salford from 11th May until 13th May.
RITES is on at Contact Theatre from 12th May until 14th May.It is a powerful and provocative new production exploring the deep-rooted cultural practice of Female Genital Mutilation, a local and national issue in the UK. With a strong creative team behind this production, it is a verbatim piece based on interviews with girls, women and professionals who have been affected by the practice.
Told by an Idiot and The Royal Exchange present The Ghost Train from 14th May until 20th June 2015.
Told by an Idiot return to the Royal Exchange, bringing their trademark wit, flare and theatrical invention to this blisteringly funny take on the classic ghost story.
Newly opened HOME on First Street in Manchester kicks off with the world premiere of The Funfair on 14th May until 13th June. Featuring a live band playing a soundtrack of iconic tracks, The Funfair promises to be a theatrical experience that will immerse you in all the colour, chaos and fun of the fair.
Meanwhile, Boeing Boeing opens at Oldham Coliseum on the 15th May and runs until 6th June 2015.
The Three Minute Theatre, based in Afflecks Arcade present a FREE event, Three Friends and you, on 14th May 2015 – it’s an evening of spoken word with a focus on mental health, in support of Mental Health Awareness week.
Winner of the Best Studio Production Award at The Manchester Theatre Awards, He Had Hairy Hands returns to The Lowry on the 15th and 16th May 2015. It’s described as Hammer Horror meets the Wicker Man, Scooby Doo and The League of Gentlemen…
Other hot picks on at The Lowry this week are Different is Dangerous on the 14th May2015 and Edinburgh Fringe sell-out, So It Goes on the 15th May 2015.
From 18th May -25th May…
The Call of Nature by Mike Heath runs for 7 nights from 18th May 2015 until 24th May 2015 in The Cellar at The Kings Arms, Salford. You are strongly recommended to get your tickets early for this event, as due to the intimate performance space, there will only be 18 tickets available per night.
Harper Lee’s much loved story – To Kill a Mockingbird is running at The Lowry from 19th May until 23rd May 2015.
Cuddles, the story of Eve a 13 year old vampire, is guaranteed to give you shivers in The Studio at The Royal Exchange from the 19th May until 23rd May 2015.
Billed as one of the best musical theatre nights of the year and acclaimed by critics and audiences alike, Dirty Rotten Scoundrels arrives at The Opera House Manchester on the 20th May and runs until 30th May 2015.
And if you didn’t catch Len Johnson ‘Fighter’ at Studio Salford earlier in the month – it is showing again at Bolton Octagon on the 20th and 21st May 2015.
The 56 arrives at The Studio in The Lowry Theatre on the 23rd May 2015, retelling the stories of those involved in the Bradford City Fire in 1985.
The Southbank Centre’s Alchemy Festival comes to Oldham on 23rd May 2015.With events taking place in and around Oldham Coliseum.
I’ll be doing another post with theatre and entertainment ideas for the family during the May half term – but for now there is The Journey Home at Z-Arts on the 23rd May 2015. It’s suitable for ages 2+ and is based on the book by Frann Preston -Gannon. There is also One Little Word, a beautiful story about friendship suitable for ages 3+, at The Lowry on the 24th and 25th May 2015.
From 26th May onwards…
Judy – The Songbook of Judy Garland is on at The Palace Theatre, Manchester from the 28th May until 30th May 2015. Along with never before seen film highlights and interviews, Judy’s dazzling songbook is brought to life by the creme of London’s West End.
On the 29th and 30th May 2015 HOME and Rosie Kay Dance Company present5 Soldiers – The Body is the Frontline – it’s site specific with the Rusholme Army Reserve Centre providing the appropriate backdrop for a piece that weaves a story of physical transformation, helping us to understand what makes a soldier and how the experience of warfare affects those that choose to put their life on the line.
The Royal Exchange Theatre launches its new Spring – Summer 2015 Season with a contemporary adaptation of Leo Tolstoy’s masterpiece, Anna Karenina. Writer Jo Clifford, certainly must have had a mammoth task on her hands in stripping back and making cuts to this classic, almost 900 page novel, so that the story and themes could be condensed into a two hour performance inhabiting the intimate space at The Royal Exchange.
Admittedly, I have not read Tolstoy’s novel from cover to cover but I am familiar with the main themes running through it. For this production Clifford puts a particular emphasis on love, infidelity and trust to capture the tour de force of Tolstoy’s original text, but, even with this element as a main focus, this adaptation did feel a little over packed.
Set to the backdrop of nineteenth century Russia and directed by Ellen McDougall, this adaptation of Tolstoy’s monster focuses around three couples and their experiences of love and marriage. Firstly, we encounter Dolly (Claire Brown) talking to Anna (Ony Uhiara) about her unfaithful husband, Oblonsky (Ryan Early) Ironically, Anna convinces Dolly to stay with her husband and work at her marriage. Anna meanwhile married to Karenin (Jonathan Keeble) gives up on being the dutiful wife when she is introduced to Vronsky (Robert Gilbert) and the two embark on a passionate affair culminating in her leaving her husband for her new exciting lover. Running alongside these two stories, is the story of Levin (John Cummins) and Katy (Gillian Saker), their relationship is a slow burner but ultimately, they marry completely for love – embracing the ups and downs of a true marriage.
“Love is just a better way to hurt each other”
The symbolism in Joanna Scotcher’s set is a stark but perfect delight. Train-lines cut right across the bare stage containing a channel of brown soil which runs between them. This design is aptly suggestive of the ground that the characters inhabit and the formation of the railways running relentlessly through them.
“If you cut someone from the soil, you damage him.”
Anna and Vronsky first lock eyes with each other at a fairytale-esque ball. They maintain eye contact through a sea of large, hooped pastel coloured skirts, in contrast Anna is wearing a plain black dress. Magnetically the lovers are drawn to each other, they begin to intertwine and move passionately but it all feels a little awkward. In trying to fit such a monster of a text in to such a short time frame it feels as though we are being raced through the characters lives, which results in us being feeling quite detached from them, their emotions and the predicaments that they have landed in.
“And trains that can crush us as if we are fleas.”
Maybe like the characters are affected by the train lines cutting across the stage, I hoped that this adaptation would reach an emotional peak and leave me feeling as though I’d been on a wild train ride, sadly, I didn’t feel as though this production had any particular destination in mind.
-Kristy Stott
Anna Karenina is running at The Royal Exchange Theatre in Manchester until Saturday 2 May 2015.
Twelve Angry Men opened at The Lowry last night following its record breaking run at the Garrick Theatre in the West End. Presented by Bill Kenwright, this powerful new production sees ReginaldRose‘s gripping courtroom drama and three-time Academy Award nominated screenplay, including best picture, suited perfectly for the stage.
It’s late summer in 1954 and the scene is a New York City courthouse, a jury of twelve men has murder on their minds as they decide the fate of a young delinquent accused of killing his father. If found guilty the boy faces the death penalty. At first the trial appears to be an open and shut case, with a unanimous verdict of guilty, but there is one juror who believes the case isn’t as straightforward as it first appears to be.
Olivier Award Winner, Tony Award Winner, Variety Award Winner and Academy Award and Golden Globe nominee Tom Conti plays Juror 8, an architect, who believes it could be possible that the boy did not kill his father. The verdict of the case becomes a huge dilemma as tensions, prejudices and discriminations, from each of the jurors, towards the accused are laid bare and thrashed out.
Under the direction of Christopher Haydon, the whole play works perfectly in the one setting of the jury room, there are no scene changes and the walls of the jurors room become claustrophobic as the tension builds throughout. The thunderstorms and stifling summer weather transfer well into the jury room. Michael Pavelka‘s set design sees the rain pouring down the windows to the sound of thunder- it’s all very reflective of the pressures and anger of the twelve jurors confined to the room.
None of the jurors are known by their names instead they are referred to as a number, although, there is some reference made to their occupations. It is hard to pick out any stand-out performance in this show as it is extremely well cast with many strong performances, Tom Conti‘s performance as juror 8 is outstanding.
The production did start half an hour later than planned on its opening night, because of technical problems, however this did not detract from the show in the slightest. Twelve Angry Men is an edge of your seat courtroom drama that was well worth the wait, managing to keep the audience captivated from start to finish.
-Kristy Stott
Twelve Angry Men is at The Lowry until Saturday 28 March 2016.
