Marianne Elliott Archives - UPSTAGED MANCHESTER

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With all of the big Christmas shows in full swing, it feels like a good time to look back at the highlights of a busy year for theatre in Manchester. Here are Upstaged Manchester’s theatrical highlights of 2016. Which shows would make your list?

Wit at The Royal Exchange

Julie Hesmondhalgh’s portrayal of Dr Vivian Bearing, an American Professor who finds herself diagnosed with advanced metastatic ovarian cancer, was striking and raw – nothing short of magnificent. Cancer is a hard subject matter to tackle on stage, especially in a performance as honest as this. Wit had everything. Powerful enough to make some cry and poignant enough to make everyone laugh, think and discuss.

The Girls at The Lowry Theatre

The Girls at The Lowry, Salford © John Swannell — © John Swannell

I am just so pleased that The Girls is on its way to the West End and is set to open at London’s Phoenix Theatre from January 2017. The collaboration between Gary Barlow and Tim Firth is a perfect recipe for success. Hilarious and heartbreaking all at the same time, I spent most of Act 2 looking through a blur because my eyes were so teary from laughing and crying at the same time. Just fabulous.

Husbands & Sons at The Royal Exchange

Husband’s & Sons had the perfect line-up of creatives and performers – all of the best in the field working together on one show. Director Marianne Elliott, of War Horse and Curious Incident of the Dog in the Night-Time, at the helm of a truly phenomenal cast – including Ann-Marie Duff and Louise Brealey. Fused with Bunny Christie’s ingenious design, Husband’s & Sons was heartfelt and gritty. So good, I wanted to watch it all over again.

The Encounter at HOME

A strikingly different theatre experience to anything that I have witnessed before. Every member of the audience is issued with a set of headphones and using cutting edge audio technology is transported to the Amazonian rainforest and into the head of Loren McIntyre, a stranded photojournalist. The Encounter is gripping, an adventure story which gets inside your head. Literally.

Parade at Hope Mill Theatre

I always enjoy James Baker’s productions massively – with every show he raises the bar of the Manchester Fringe Theatre scene a little higher. Parade was nothing short of a triumph. The dimly lit, eerie walls of Manchester’s newest performance space, Hope Mill Theatre added a further dimension to the production – intimate and powerful, something quite special.

Origins at The Lowry Theatre

Origins by Animikii Theatre. Developed with The Lowry. — Origins by Animikii Theatre.
Developed with The Lowry.

An intense new piece of physical theatre by Animikii Theatre Company exploring the story of the world’s first murderer: the killing of Cain by his brother Abel. Captivating storytelling communicated only through movement and sound. Adam Davies and Charles Sandford are highly skilled performers and with every detail loaded to perfection, Animikii Theatre Company are certainly ones I’ll be watching out for in the future.

Rambert: A Linha Curva at The Lowry

Now in their 90th year and still leading the dance world with their innovative and exhilarating dance works. A Linha Curva is sensual, witty and terribly good. The dancers are faultless, moving alongside each other in a truly intoxicating display. Rambert may be 90 this year but they show no sign of standing still.

Matthew Bourne’s The Red Shoes at The Lowry

Matthew Bourne's The Red Shoes ~Ashley Shaw as Victoria Page~ — Matthew Bourne’s The Red Shoes
~Ashley Shaw as Victoria Page~

The Red Shoes is a breathtaking balletic display – a beautifully tragic tale poignantly told. Terry Davies’ musical score, using the music of golden-age Hollywood, and Lez Brotherston’s ornate set and dazzling costumes ooze 1940’s glamour. Following it’s sell out run in 2016, it returns again to The Lowry in July 2017. So if you didn’t catch it this time round, get your ticket booked for next year!

Sweet Charity at The Royal Exchange

Kaisa Hammarlund in Sweet Charity © Richard Davenport — Kaisa Hammarlund in Sweet Charity
© Richard Davenport

With its irresistible Cy Coleman musical score, supervised by Nigel Lilley and directed by Mark Aspinall, played superbly by a live band; an ensemble that dazzle and a top-notch central performance from Kaisa Hammarlund – Derek Bond’s Sweet Charity is an absolute must-see. At the Royal Exchange until 28th January 2018 – there is still plenty of time to bag a ticket. You’re welcome.

REVIEWER: CIARAN WARD

A Streetcar Named Desire at The Royal Exchange

Sarah Frankcom’s adaptation of Tennessee Williams’ modern domestic tragedy, ‘A Streetcar Named Desire’, was an exhilarating piece of theatre that warranted much more than a five-week run. Maxine Peake’s effortless performance as the fallen Blanche DuBois was every bit as riveting and worthy of acclaim as her predecessors, Vivien Leigh and Gillian Anderson.

REVIEWER: DEMI WEST

GM Fringe 2016: Fast Fringe at The Dancehouse Theatre

The ‘GM Fringe 2016: Fast Fringe’ show was by far the most memorable comedy that I have enjoyed this year. The selection box of comedians kept the show fresh, each offering a diverse style of comedy that was sure to please all audience members. The Fast Fringe is a brilliant way to sample and discover different comedians, along with guaranteed laughs.

Merry Christmas to each and every one of you – thank you for all of your support this year.

Wishing you all the best in 2017.

-Kristy Stott

UPSTAGED RATING:

The Royal Exchange Theatre provides the perfect performance space for this compelling drama about a mining community living in a small village in Nottinghamshire in 1911. Following the lives of three different families over a period of three weeks, Husbands & Sons interweaves three of DH Lawrence’s masterpieces into one new play – and the result is nothing short of an absolute triumph.

From the minute the lighting rig is hoisted up, Husbands and Sons reveals a working class community surviving as best they can in the shadow of a miners strike. It’s a powerful depiction of three desperate households – The Holroyds, The Lamberts and The Gascoignes. While husbands and sons battle at the coalface, the focus lies on the women in this community. Despite the title, it is the wives, mothers and daughters stories which are subject to excavation.

Each household is separated in the performance space by a gridded iron walkway, although many of the characters are on stage in their respective homes at the same time. As the drama unfolds within each family, the audience can follow the goings-on in each household. This intelligent juxtaposition aids the narrative, building up tension and making it easy to follow, ensuring that each scene moves smoothly through to the next.

Husband’s & Sons has the perfect line-up of creatives and performers – it’s like getting all of the best in their field working together on one show. Olivier-Award winning Bunny Christie has designed the detailed set for the three households, complete with fire, running water and a caged sense of impending doom. Director Marianne Elliott, of War Horse and Curious Incident of the Dog in the Night-Time, is at the helm of a truly phenomenal cast.

Anne-Marie Duff is astounding as Lizzie Holroyd, the downtrodden wife of an alcoholic miner – arresting, believable and entirely gripping. Julia Ford masterfully plays frustrated Lydia Lambert, tolerating her obnoxious husband – she is a controlling mother who just wants a better future for her children. Louise Brealey shines as newly-wed, house proud Minnie Gascoigne, bringing a sense of spontaneity and innocence to the stage as she struggles to deal with the dark secrets in her marriage.

This production makes for 3 hours of heartfelt and gritty viewing, though not without humour. With an outstanding cast and ingenious design, Husbands & Sons is an absolute must-see – bold, beautiful and perfectly staged in the Great Hall of Manchester’s Royal Exchange. And when that lighting rig falls, you wish that you could watch it all over again.