Justin Moorhouse’s Fast Fringe opened the Greater Manchester Fringe Festival 2016
reviewer: demi west
upstaged rating:
The Manchester Fast Fringe festival at the Dancehouse was a visual montage of the best jokes and gags from up and coming comedians due to perform at the festival, all comically led on from one another by Manchester’s own Justin Moorhouse. The show was to kick off the Manchester Fringe and consisted of twenty comedians, who each had three minutes to barrage you with a taster of their best material so that you could get a flavour of what they are offering at the Manchester and Edinburgh fringe. This offered a ‘selection box’ of comedy, which had a wide range of acts from puppets, to bearded men in dresses, keeping everyone’s eyes on the stage.
The acts, on the whole, were all very entertaining, with acts such as Brennan Reece offering anecdotal humour on the struggle of masculinity, and Andy Field who did a quirky take on the classic impersonation, including Elton John, and ‘Poprah’. All of these acts thought out their jokes and executed them to a good standard gaining a good response from the audience. Some acts broke the generic anecdotal formula of humour and offered more interesting approaches that worked well yet sometimes fell short, as the three minutes provided was sometimes too narrow of a time frame to sample their whole act.
Acts like Harriet Dyer offered an eccentric performance centred around nineties music and growing up in Cornwall, in which she performed an acapella singing dance routine with unusual body movements, catching the audience completely off-guard, yet still provoking the desired response. Other acts like Daniel Nichols simply picked out members of the audience and made them attempt to try and remove his jumper, but due to the short time slot, the audience wasn’t able to grasp what the whole act consisted of, which was one of the main problems with the show.
The show was all brought together and well-rounded by Justin Moorhouse, who worked the audience very well and connected with them through jokes on topical subjects, such as what it’s like to be from Manchester and the EU referendum. After attending the Fast Fringe, I’d definitely consider seeing some of the acts in their full-length solo shows, and thought it was a great way of sampling the best comedy that Manchester has to offer.
Adapted for the stage by Hattie Naylor, The Night Watch is Sarah Waters’ thrilling novel of the same name. Shortlisted for both the Man Booker and Orange prizes for fiction, the narrative is set against the backdrop of 1940’s London and spirals back from the post-war devastation of 1947 to the Blitz of 1941.
“People’s pasts are so much more interesting than their futures.”
As the fragmented stories of five people unfold we begin to understand the secrets, regrets and shame that have bound all of them together. With each life intertwined, so skilfully and softly layered, they are all detonated by war, but more so, by love.
It’s a tricky narrative to present on stage but Naylor cuts right to the chase and avoids any extraneous period detail – the story is presented to us powerfully, each scene juxtaposed perfectly allowing each characters experience to weave smoothly into the next. The fusion of Georgia Lowe’s stark stage design and Rebecca Gatward’s intelligent direction ensures that scene changes and shifts in time are handled beautifully. The sweet and dream-like sound of a piano accompanies the circular movement of the stage as we are transported to another point in time.
Flooding the stage with soft warm lighting, Elliot Griggs’ lighting design compliments perfectly, transforming an office desk to a summer roof terrace, switching through the darkness of war and devastation to the warm light of love and hope.
With such a pleasingly simple set design, there is absolutely no room for error on stage and the cast deliver a stunningly captivating production. Flawless and intricate, the characters are developed throughout the play – their emotions stripped back as we get to know, and love, them. Led by Jodie McNee, playing the troubled and endearing Kay Langrish, there are no weak links here. Kelly Hotten captures the vulnerability of secretary Helen – wearing her heart on her sleeve, it’s easy to understand her attraction to Julia, the feisty and flamboyant writer played by Lucy Briggs-Owen.
The Night Watch is a gripping adaptation of Sarah Waters’ novel – beautifully realised and faultlessly performed.
Everything about James Baker’s Parade is a triumph and if you are in or around Manchester, you really should get a ticket. Just go.
The dimly lit, eerie walls of Manchester’s newest performance space, Hope Mill Theatre stand with pride to present the harrowing true story about the trial of Leo Frank. Frank was a Jewish pencil factory manager in Atlanta who was tried for raping and murdering Mary Phagan in 1913. The intimate performance space in the old cotton mill provides the perfect backdrop for this emotionally charged and troubling narrative driven by the murder of the thirteen-year-old girl in the factory where she worked.
The super talented cast of 15 manage to cover 38 roles between them and all give stand-out performances. There is a beautiful balance between heartfelt, raw emotion and technical brilliance from Tom Lloyd as the accused Leo Frank; Laura Harrison gives a breathtaking vocal performance as his doting and determined wife, Lucille Frank. James Baker’s ensemble pieces are always a highlight too – under William Whelton’s stylish choreography, wielding their confederate flags and clicking their heels, the dynamic cast deliver to Jason Robert Brown’s finely crafted score. There is no weak link here.
There are memorable performances throughout from Matt Mills and ShekinahMcFarlane, particularly during their second act opener – playing two of the Governor’s African American employees, they deliver a soulful and spirited ‘A Rumblin’ And A Rollin’, showing that racial tensions were still running high fifty years after the American Civil War had ended. James Wolstenholme proves his versatility as a performer – slipping into the ruthless shoes of desperate hack Britt Craig to deliver an outstanding rendition of Real Big News before stepping up as the authoritative Governor of Georgia, John Slaton.
Victoria Hinton’s stripped back set is split into 3 simple sections to aid the fluidity of the narrative with adaptable wooden pallets giving a constant reminder of the factory environment.
There’s a lot to be said about bringing musical theatre to an intimate setting like Hope Mill Theatre. Watching the performers emerge from within the audience, so close that you can see the beads of sweat on their foreheads and the tears rolling down their cheeks, is really something special. Add to this a wonderful 9 piece live band under the superb direction of Tom Chester and Mancunian producer Katy Lipson of Aria Entertainment, and Mr James Baker has raised the bar for Fringe theatre once again.
I urge you to get a ticket for Parade. Just go.
-Kristy Stott
Parade is on at Hope Mill Theatre, 113 Pollard Street, Manchester M4 7JA until Sunday 5th June 2016. NOW EXTENDED UNTIL 11th June 2016! Please click here to get your tickets.
Handle With Care by Dante or Die Theatre Co Week 53 at The Lowry, Salford
UPSTAGED RATING:
“A journey of one woman and her stuff through a lifetime of self-storage”
Handle With Care is a curiously intimate site-specific performance which plays out in the metal units and brightly lit corridors of a self-storage facility. Presented as part of the innovative Week 53 festival hosted by The Lowry in Salford, Handle With Care tells the story of Zoe through the most poignant stages of her life. Exploring the central themes to the festival, Place & Identity, we are encouraged to explore ideas surrounding life experiences, the memories we hold on to and the personal possessions that we use to keep them alive.
The show is visually impressive – it’s a promenade performance with the audience following the actors around the Ready Steady Store unit in Worsley, Greater Manchester. The small audience find themselves watching the story unfold within the locker-lined corridors and small confines of each storage unit. It’s innovative and intimate and the audience are encouraged to move around the actors during the performance – it’s a bit like a fly-on-the-wall experience. The audience witness the reality of the arguments that take place behind closed doors, the domestic bickering and private moments of reflection.
What is so remarkable is the fluidity with which Handle With Care is presented – in 90 minutes we whizz through the decades in Zoe’s life, from 1988 to the present day. The dynamic cast handle the transition between varying performance spaces and they work around the strategically placed audience well .
Fuelled by the audiences curiosity, each key is turned in each storage unit and the door flung open, to reveal another poignant incident in Zoe’s life. The detailed design is studded with costume and artefacts from the 80’s and 90’s and the soundtrack featuring The Stone Roses and Alanis Morisette pushes us through each year and into the next.
Handle With Care is a triumphant site-specific piece and it could not be performed in a more suited environment – encouraging us to reflect on our own experiences, memories and our notions of place and identity.
-Kristy Stott
Handle With Care continues to tour through May and June 2016: Harlow Playhouse with Lok ‘n Store from the 13th-15th May, South St Arts Centre with Lok ‘n Store from the 19th-22nd May, Lighthouse Poole with Lok ‘n Store from the 26th-29th May and Shoreditch Townhall with Urban Locker from the 3rd-25th June. For more information on the site-specific performance please click here.
The Next Step is a Canadian reality-style TV show that follows a group of young dancers and in the UK, this popular tween drama is broadcast on CBBC.
In this explosive collaboration,The Next Step has teamed up with new CBBC show Lost and Found Music Studios and the result is The Next Step: Wild Rhythm Tour.
Young dancer and fan of the show Evie went along to The Lowry with her mum Karen to check it out…
“Hi. My name is Evie and I am nine. I was lucky enough to go and see The Next Step at the Lowry for my birthday present off mum and it was way more than awesome!
When I have time I sit back and watch The Next Step on TV and it was just fantastic to see them dancing in front of my very own eyes. I felt like my brain was going to burst with excitement!
I loved seeing the dancers being themselves and getting to know their real personalities. James and Eldon were hilarious although the girls always rule. I enjoyed the choice of music and the emotions and drama of the different dances.
The video clips inspired me to start dancing more and maybe if I work hard and believe in myself I could be in A Troupe one day. I can’t wait to see them on tour again in October.”
Evie really enjoyed The Next Step and mum Karen was impressed by the interaction during the Q&A and the positive message that the young audience take away with them…
“I wasn’t quite sure what to expect as it’s based around a TV dance programme but I can honestly say we both loved it. And I reckon by the audience response and feel of excitement in the theatre that the was general feeling from everybody. My daughter sat in awe watching the energy and passion of the dancers in front of her and you could see the commitment they give to their dance. The show was full of interaction, humour, drama and emotion and you felt totally engaged with the show and performers.
The interactive aspect was great as the kids got to be involved in a Q+A session engaging with the dancers and learning a little more about them and their aspirations. The dancers and singers were great role models for the kids and told how if they believe in themselves and work hard and show commitment they will achieve their goals. A great message for the kids to take away. I always thought it was just a TV programme but it is so much more. On a personal level this cast and their stories mean such a lot to my daughter. She has had troubles at school even at the young age of nine and she says the programme helps her solve problems at school as the programme looks at relationship dynamics and how the cast work through them. Fantastic as our kids need all the help and tools they can in order to live life to its max.”
The Next Step begins touring again in the autumn.
Kicking off at the SECC in Glasgow on 21 October 2016 with more dates in Manchester, London. Nottingham, Brighton, Birmingham, Portsmouth, Bath and Cambridge. You can click here to get your tickets.
Talawa Theatre Company has been making theatre since 1986 and to mark their 30th anniversary year, and to commemorate 400 years since Shakespeare’s death artistic director Michael Buffong returns to the play he first directed in 1994, King Lear.
In this co-production between Talawa Theatre, Manchester’s Royal Exchange and Birmingham Rep, Don Warrington steps into the royal breaches and takes on the title role. William Shakespeare’s story of a kingdom divided with devastating political and personal repercussions still remains highly pertinent to a modern audience. Striking a chord with a contemporary crowd particularly in the wake of Scottish Independence and the looming EU opt in or opt out discussion. Perhaps most poignantly, this production explores ideas around our aging society and dementia.
Entering to the single steady beat of the drum, Warrington appears wearing a heavy cloak and furs, every inch the look of a formidable leader. He traces the dominant character’s slow descent from greatness to confusion and shame.
“I have, so to speak, lost myself.”
Fists clenched desperately holding on to the sleeve of his robes indicative of his struggle to retain clarity in an increasingly murky world. There is some well-observed physicality from Warrington – his awkward gait and empty stare are all suggestive of a man battling with dementia. However, Warrington’s delivery of the text is lacking in fluidity which means that some of Shakespeare’s powerful rhetoric is lost at times and most particularly during the famous storm in the wilderness scene.
Signe Beckmann’s design is completely stripped back to an empty performance space with the characters dressed in period costumes, and the danger is that it all feels very habitual RSC and old fashioned. The combination of Johanna Tom’s atmospheric lighting design and Tayo Akinbode’s ethereal soundscape is a match made in heaven, especially during the apocalyptic downpour at the end of the first half.
The ensemble cast are all impressive and fearless throughout and all give remarkable performances. Miltos Yerolemou gives a well-balanced performance as The Fool, both humorous and touching; Alfred Enoch gives a mesmerising performance as Edgar – compassionate and honest, much in contrast to his brother Edmund, an ambitious opportunist, again played strongly by Fraser Ayres. Pepter Lunkuse shines as the good-hearted, youngest daughter Cordelia and Rakie Ayola and Debbie Korley give fully realised performances as bloodthirsty sisters, Goneril and Regan.
Philip Whitchurch as The Earl of Gloucester is outstanding with his gory ocular fate prompting the most audible response from the audience during the lengthy 3 and a half hour running time.
-Kristy Stott
King Lear is running at The Royal Exchange Theatre in Manchester until Saturday 7 May 2015.
Are you looking for the best theatre and creative activities taking place in Greater Manchester during Easter? Look no further.
We’ve compiled a list of the best theatre shows and creative activities for all of the family.
The Easter holidays run through from Monday 4th April until Friday 15th April 2016 – for most schools. This list covers all family fun happening from March through to mid-April.
HOME, Manchester
Into The Hoods: Remixed Photo Credit: Hugo Glendinning
Into The Hoods: Remixed is the new updated hip-hop version of the Sondheim classic. Set in the ‘Ruff Endz Estate’, the story follows two lost school children who have been tasked to find an iPhone as white as milk, trainers as pure as gold, a hoodie as red as blood and some weave as yellow as corn. Along the way, they meet DJ Spinderella, wannabe singer Lil Red, vivacious rapper Rap On Zel, budding music producer Jaxx and embark upon a storybook adventure into the heart of a pulsating community!
Into The Hoods: Remixedis recommended for ages 7 + and is at HOME, Manchester from 6th April to 9th April 2016.
A live adaptation of E. Nesbitt’s classic story The Railway Children (U) will be broadcast at HOME on the 28th March 2016 at 11:30 am.
While you’re at HOME why not take a look at the current exhibition –Designs for Living: Clare Dorset and Chery Tenneson which is recommended for families. Admission is FREE and it opens from 11 am each day.
Oldham Coliseum
How The Koala Learnt to Hugcomes to Oldham Coliseum on Wednesday 30th March 2016. Recommended for ages 3 and over, it’s a charming production based on the book by Steven Lee. With puppet characters, great stories, sing-along songs, superb games and first class hugging all you’ll need are your ears…and your arms!
The Edge Theatre and Arts Centre, Chorlton
Back by popular demand…The Boy Who Bit Picasso returns to The Edge in Chorlton on ‘Easter’ Saturday.
The Boy Who Bit Picasso come to The Edge in Chorlton. Photo Credit: Geraint Lewis
The story is inspired by Antony Penrose’s book which follows the story of Tony who becomes friends with Pablo Picasso.
This show promises a lot of interaction as the audience are invited to take part in a variety of art and craft activities. Suitable for everyone aged 4 and up, there will be plenty of storytelling and music as the children are introduced to one of the twentieth century’s most influential artists, Pablo Picasso.
The Boy Who Bit Picasso comes to The Edge Theatre and Arts Centre in Chorlton on Saturday 26th March 2016 with 2 showings at 11 am and 2 pm.
TOP TIP: Be sure to wear play clothes because it could get messy
Lullaby Lane is a unique theatrical experience for children aged from 3-6 which fuses the energy and vibe of a music gig with the intimacy of theatre. It’s a charming little tale exploring childhood memories of forgotten friends, cherished toys and music-making. Featuring vibrant characters and Fran Wyburn’s original musical score, Lullaby Lane provides a great introduction for children to experience an array of string instruments, including banjo, harp, ukulele and guitar. Lovely running time of 45 minutes – perfect for little people.
Mum’s The Word Comedy Club is the comedy gig designed for parents of babies aged 18 months and under. Hosted by comedian and new Mum, Katie Mulgrew, it’s a relaxed affair – feel free to feed, change and nurse your baby. However, the acts do perform their usual adult material so if you have an exceptionally bright 18-month-old or a mimicker, I’d probably avoid. There is a strict policy and only babies under 18 months will be permitted.
Presented by Katie Mulgrew, Mum’s The Word Comedy Club is at The Edge in Chorlton on Friday 1st April 2016 with little ones going free.
The Lowry, Salford
Calling all Michael Morpurgo fans! Where My Wellies Take Me comes to The Lowry, Salford this March. Interweaving poems and songs, we follow 9-year-old Pippa on a May Day ramble through the beautiful English countryside. Based on Clare and Michael Morpurgo’s book, Where My Wellies Take Me is a lively show celebrating the beauty of nature.
SPECIAL ANNOUNCEMENT: Michael Morpurgo will be available to meet and greet members of the audience after the performance!
We’re super excited about Roald Dahl’s The Witches flying into The Lowry at the end of March. Adapted by David Wood and directed by the fabulous Nikolai Foster, Dahl’s scariest book is brought to life.
Featuring a talented bunch of actor-musicians, an original score and mind boggling illusions, The Witches promises to be a terrifying treat for all the family. Watch the trailer…if you dare…
The Witches is at The Lowry, Salford from 21st March to 26th March 2016.
And for younger ones… Peppa Pig, George and the rest of the crew are back in Salford for their brand new live stage show, Peppa Pig’s Surprise.
Enjoy fun, games and surprises in this charming, colourful show with new songs and new life-size puppets. Running at 1 hour and 20 minutes, Peppa Pig’s Surprise promises to be the perfect theatre show for all pre-schoolers.
Join Unlimited Theatre forPlay Dough at The Lowry on 2nd April 2016 at 4 pm. Recommended for ages 7 and up, Play Dough is a playfully interactive show for young people 7+ and their families about the value of money. Hosts Queenie and TooMuch will lead your team through a series of high-energy games while telling you their story, and everything they know about how money really works.
The Battle of Hastings -Groovy Greeks and Incredible Invaders – Horrible Histories Photo credit: Mark Douet
Horrible Histories needs no introduction. It’s a fabulous show and this edition focuses on the Groovy Greeks and the Incredible Invaders. We’ll be there – who wants to join us?
“The sun did not shine. It was too wet to play. So we sat in the house. All that cold, cold, wet day.”
From the moment his tall, red and white-striped hat appears around the door, Sally and her brother know that The Cat in the Hat is the most mischievous cat you will ever meet. With the trickiest of tricks and craziest of ideas, he turns Sally and her brothers rainy afternoon into an amazing adventure. But what will mum say when she gets home?
The Cat In The Hat is the perfect first theatre experience for children aged 3 and up and it is at The Lowry, Salford from the 11th to 13th April 2016.
A must-see for all dancers aged 3-133…
Tessa Bide brings her solo show, The Tap Dancing Mermaid to The Lowry, Salford on Sunday 17th April 2016.
Stick your 50ps to the bottom of your shoes and gather round to hear the Moon’s magical story about a tap dancer who creeps out of her house every night to dance to the sounds of the sea. Marina Skippett has been forbidden to dance at home by her tractor-sized Aunty. Follow her exciting adventure with stunning puppetry, live music and tap dancing.
Z-Arts, Hulme
Engine House, the company behind critically acclaimed productions of Red Riding Hood and Flat Stanley join forces with “Britain’s favourite literary lunatics” LipService (Maggie Fox and Sue Ryding) to create a brand new show for children and their families, adapted for the stage by Olivier Award-winning writer Mike Kenny. Suitable for children over the age 4, Snow White is a magical and comic re-telling of the much-loved fairytale.
Snow White comes to Z-Arts, Hulme on the 19th March 2016.
You can also join in at the FREE Brother’s Grimm Fun Day at Z-Arts – craft, drama and storytelling – on 19th March from 12noon-4pm and it is suitable for all ages. Hurrah!
We’re Stuck!is a theatre show recommended for ages 8-11. Join Dr Volcano and the robots on a special adventure into the heart of a top-secret research institute, where cutting edge scientists need your help tackling some extremely tricky problems. Running at 70 minutes, this interactive show promises to stretch your brain in unexpected directions.
This show is recommended for ages 8-11 due to the content and some of the problem-solving tasks, it is not advisable to buy tickets for anyone below this age range.
We’re Stuck! is at Z-Arts, Hulme from 12th April -16th April.
In addition to the performance, our friends at Z-arts have teamed up with China Plate and Manchester Science Festival to bring you a series of fun events and activities across the Easter holidays to tackle some extremely tricky maths, science and art conundrums! Why not work on your comedy skills with the We’re Stuck comedy week?
For families with children 8+ and children under 8, there will be free activities on Friday the 15th April! No need to book in advance, turn up on the day to get involved! Click here for info.
Waterside Arts Centre, Sale
Gorilla by Anthony Browne comes to Waterside Arts Centre, Sale from the 2nd April to 4th April 2016. Running at just 50 minutes and recommended for the ‘nearly fours’ and up, Gorilla has a really impressive creative team behind it. The story is based on an award-winning picture book by former Children’s Laureate Anthony Browne and it is brought to you by the team who produced Charlie and Lola’s Best Bestest Play and James and The Giant Peach. Take a look at the trailer…
If you missed Snow White at Z-Arts – you get another chance to catch the Olivier Award-winning writer Mike Kenny’s magical and comic adaptation of the classic fairytale.
Snow White comes to Waterside Arts, Sale on the 12th and 13th April 2016.
Lullaby Lane comes to Waterside Arts, Sale on the 10th April 2016.
There’s another chance to experience the charming Lullaby Lane at if you missed it the first time round at The Edge in Chorlton.
The Royal Exchange
The Royal Exchange is home to Flying Saucers every Sunday. The events, activities and workshops for under 11s include storytelling sessions, craft workshops, Hard Hat Sundays and entertainment for all the family. Some workshops are age-restricted and ticketed, so it’s a good idea to book in advance as they can be very popular. Around The World in 60 Minutes is taking place on Sunday 20th March 2016 and is suitable for ages 5-8, costs £3.00 a child and adults are free. Booking is strongly recommended.
Find out more by clicking here or give the Royal Exchange box office a call on 0161 833 9833 – they’re a friendly bunch.
Trafford Music Service
The service is offering an Easter music schoolsuitable for primary school children (from reception to year 6), running for 3 days from 4th April to 6th April 2016. During the course children will be given the opportunity to sing as well as play a selection of instruments including the violin, ukulele, guitar, recorder, fife and percussion.
The course costs £35 per day and runs from 9:00 am until 3:00 pm. All instruments are provided, all you need to do is provide a packed lunch.
Join everyone for an afternoon of storytelling at the Octagon Theatre. During Storyplay: Beauty and The Beast, your little ones will be transported on a literary journey of fun and adventure – meeting all of their favourite characters, brought to life by actors from the Octagon Company.
Meet in the relaxed play area in the Octagon Bar at 4:30pm on Friday 15th April 2016. Recommended for families of all ages and costs £4 per child with a free adult place per child.
The Macbeth Curse engulfs the Octagon in Bolton from 19th April to 23rd April 2016.Written by Terry Deary, author of Horrible Histories The Macbeth curse promises to be a perfect introduction to the magic and madness of Shakespeare. Recommended for ages 7 and up and with a running time of 60 minutes. Each showing also includes a 20 minute Q&A session after each performance.
Manchester Museum
Two FREE events are happening at Manchester Museum as part of the Greater Manchester On Film Festival (GMOFF) . While you’re paying Stan the T-Rex a visit, why not catch a FREE screening of Jurassic Park (suitable for ages 9+) or Jurassic World (suitable for 12+)?
Jurassic Park screens at 11 am on 2oth March and Jurassic World screens at 2 pm. Hit the links to book your FREE tickets through Eventbrite. There is also junk modelling from 1 pm so why not have a go at making your own junk model dinosaur to take home?
The Whitworth
Another fantastic FREE event as part of the GMOFF at The Whitworth on Saturday 26th March 2016.
Enjoy a screening of the stop-motion animation Fantastic Mr Fox (PG) in The Whitworth’s Grand Hall. After the film, there is also the opportunity to take part in a family art activity led by The Whitworth. You will be able to have a go at making 3D art inspired by Mr Fox and co. and the wildlife in Whitworth Park. Recommended for ages 7+ and all under 16’s must be accompanied by an adult.
Interested? Booking in advance is a must. Hit the link!
National Football Museum
Finally, for budding footballers – courtesy of the GMOFF, there is a FREE screening of Carlitos and the Chance of a Lifetime at the National Football Museum on Sunday 27th March 2016. The screening starts at 11 and is recommended for ages 9 and over – however, it is a Spanish film with English subtitles which many younger children will struggle to follow. Under 16’s must be accompanied by an adult and any adults must be accompanied by a child. You can book through Eventbrite here.
Upstaged Manchester would like to wish you all a happy Easter and it would be super to hear your views on any of the shows or activities.
Please tweet your mini reviews to @UpstagedMCR #upstagedfamily
A curtain featuring a pretty painted seaside picture lifts slowly to reveal Tom Piper’s suitably grimy set – rusty, damp and closed off from the world. There are two small windows offering a peek outside, but you’ll need a ladder to reach them and a cloth to clean them. Samuel Beckett’s Endgame is an extraordinary piece of writing, a classic of modern theatre and this collaboration between the Citizens Theatre and HOME is as vital and as macabre as it should be.
Taking on the roles of chair bound and blind master Hamm and his dutiful servant Clov are Coronation Street favourites, David Neilson aka Roy Cropper and Chris Gascoyne, who plays Peter Barlow. Existing somewhere between life and death, far from the cobbles and chatter of Weatherfield, Hamm (David Neilson) and Clov (Chris Gascoyne)are inextricably bound to one another and spend their existence verbally brawling at each other. Hamm’s parents, Nagg (Peter Kelly) and Nell (Barbara Rafferty) occupy two bins on the stage offering Hamm a glimpse of memory and nostalgia.
Director Dominic Hill brings out every bit of detail in the script, finding new subtlety and absolute meaning in the bleak and absurd world that the characters inhabit. Endgame is not without humour – dark but strangely uplifting at the same time, and it is this ambiguity, masterfully brought out by Hill, that makes it so compelling.
Neilson and Gascoyne give striking physical performances throughout, their peculiar and repetitive traits build upon Beckett’s very particular stage directions. Chris Gascoyne’s timing and physicality as Clov is superb; unable to sit down and constantly threatening to leave, he excels in bringing out the elements of slapstick. David Neilson is brilliant as Hamm, intelligent and matter-of-fact, nothing is rushed here and every word is loaded with meaning.
I read somewhere that Gascoyne and Neilson, having been in Coronation Street, are hoping to bring in an audience who possibly haven’t been to the theatre or haven’t seen any of Beckett’s work before, which is a really positive thought. On the evening that I attended, I was thrilled to sit next to the world’s leading Beckett scholar James Knowlson OBE – a personal friend of Beckett and writer of his biography, Damned to Fame. Amidst the noisy applause, James Knowlson was shouting his approval and later described the production to me as ‘extraordinary’. Now that has to be a worthy testimonial.
-Kristy Stott
Endgame is on at HOME, Manchester (2 Tony Wilson Place, M15 4FN) until Saturday 12th March 2016 and you can click here for tickets.
The Royal Exchange Theatre provides the perfect performance space for this compelling drama about a mining community living in a small village in Nottinghamshire in 1911. Following the lives of three different families over a period of three weeks, Husbands & Sons interweaves three of DH Lawrence’s masterpieces into one new play – and the result is nothing short of an absolute triumph.
From the minute the lighting rig is hoisted up, Husbands and Sons reveals a working class community surviving as best they can in the shadow of a miners strike. It’s a powerful depiction of three desperate households – The Holroyds, The Lamberts and The Gascoignes. While husbands and sons battle at the coalface, the focus lies on the women in this community. Despite the title, it is the wives, mothers and daughters stories which are subject to excavation.
Each household is separated in the performance space by a gridded iron walkway, although many of the characters are on stage in their respective homes at the same time. As the drama unfolds within each family, the audience can follow the goings-on in each household. This intelligent juxtaposition aids the narrative, building up tension and making it easy to follow, ensuring that each scene moves smoothly through to the next.
Husband’s & Sons has the perfect line-up of creatives and performers – it’s like getting all of the best in their field working together on one show. Olivier-Award winning Bunny Christie has designed the detailed set for the three households, complete with fire, running water and a caged sense of impending doom. Director Marianne Elliott, of War Horse and Curious Incident of the Dog in the Night-Time, is at the helm of a truly phenomenal cast.
Anne-Marie Duff is astounding as Lizzie Holroyd, the downtrodden wife of an alcoholic miner – arresting, believable and entirely gripping. Julia Ford masterfully plays frustrated Lydia Lambert, tolerating her obnoxious husband – she is a controlling mother who just wants a better future for her children. Louise Brealey shines as newly-wed, house proud Minnie Gascoigne, bringing a sense of spontaneity and innocence to the stage as she struggles to deal with the dark secrets in her marriage.
This production makes for 3 hours of heartfelt and gritty viewing, though not without humour. With an outstanding cast and ingenious design, Husbands & Sons is an absolute must-see – bold, beautiful and perfectly staged in the Great Hall of Manchester’s Royal Exchange. And when that lighting rig falls, you wish that you could watch it all over again.
-Kristy Stott
Husbands & Sons is running at The Royal Exchange Theatre in Manchester until Saturday 19 March 2016.
Chip Shop Chips – a new play by Becky Prestwich. Photo credit: Lucas Smith
Upstaged Rating:
There is a real hustle and bustle at The Hub, a Salford community centre, for Box of Tricks’ new production. Chip Shop Chips is a play with a difference – it’s fusion between theatre and food, dining and performance – tables are laid out with red and white check tablecloths and the audience sit around drinking tea out of polystyrene cups waiting for their fish supper. There is a warm, nostalgic atmosphere and a feeling of community as strangers strike up conversations with each other and share memories of their local chippy.
It’s the grand reopening of Booth and Sons Fish & Chip Shop – the new ‘cod’ on the block and the new ‘plaice’ to be, or so Eric Booth hopes. Following the death of his father, 60-year-old Eric (Russell Richardson) returns home to take over the family chip shop business. Surely, with hardworking chippy apprentice Lee (Ben-Ryan Davies) by his side, nothing can go wrong? However, when Eric’s first love Christine (Julie Edwards) walks in unexpectedly to the big opening night with her granddaughter Jasmine (Jessica Forrest), he is completely thrown. Over forty years have passed and neither are living the lives that they imagined that they would. Aside from the smell of salt and vinegar, there is also young love in the air as Lee and Jasmine, who remember each other from high school, explore the feelings of teenage romance.
Director Adam Quayle makes full use of the whole performance space and as the gripping story of family and love unfolds in the chip shop, the audience become Eric’s customers, adding to the intimacy of the performance. There is an opportunity to take part in a chippy quiz, share your chip shop story and craft a hat out of newspaper. All of these activities are cleverly woven into the main narrative; sadly, in a room full of people rustling paper to make a hat, it was disappointing to see some of Becky Prestwich’s wonderful dialogue lost. However, with more experience in front of a live audience, this can be easily worked on. What makes this production so appealing is that Box of Tricks have really challenged themselves and produced an immersive show with a lot of heart.
Jessica Forrest and Julie Edwards in Chip Shop Chips Photo credit: Lucas SmithThe mouth-watering chippy set by designer Katie Scott provides the perfect backdrop for the brilliant cast of four. Julie Edwards gives a powerful performance as the shaky handed and lonely widow Christine, looking for one last adventure. Jessica Forrest shines as granddaughter Jasmine, intelligent and funny – her one liners had the audience in stitches. Russell Richardson is also strong as chip shop owner Eric, a jolly frontman for the business while balancing his inner grief. Ben-Ryan Davies warms as the supportive chip shop worker, tugging at our heart strings as the illiterate but kind-hearted Lee.
Chip Shop Chips is a fabulous show for everyone – those who are new to theatre and those seasoned theatre goers. It’s a superb evening and a joyous trip down memory lane, celebrating love through the ages and the nations favourite food.
SPECIAL ANNOUNCEMENT: Michael Morpurgo will be available to meet and greet members of the audience after the performance!
Tessa Bide brings her solo show, 
