REVIEW: Dick Whittington (Oldham Coliseum, Oldham)

Simeon Truby as King Rat at the Oldham Coliseum. © Joel C Fildes
Simeon Truby as King Rat at the Oldham Coliseum.
© Joel C Fildes
Upstaged Rating: ⭐⭐⭐⭐

The team at Oldham Coliseum always deliver a Christmas cracker with their traditional, cheeky pantomime fun and this year is no exception. The talented team of familiar faces are back to showcase all of the traditional elements of pantomime. With plenty of audience engagement, hilariously messy slapstick, innuendo for the grown-ups and sweeties for the little ones – there is plenty for the whole family to enjoy this festive season at Oldham Coliseum.

Penned by director Kevin Shaw and Fine Time Fontayne, Dick Whittington (Nina Shadi) follows a simple narrative about a young man from Oldham who travels South to seek his fortune. Driven by the belief that the streets of London are paved with gold – he soon finds out that they are overrun with rats but tries to make the best of it when he meets Alice (Shorelle Hepkin), the daughter of bumbling Sir Ivo Fitzwarren (Ralph Birtwell).

It’s great to see Fine Time Fontayne back as the pantomime dame, following his injury last year – he is truly entertaining and strikes a real chord with the audience. With an array of fabulous food-themed costumes and vibrant Doc Martens, designer Celia Perkins has really excelled herself this year. In fact, the whole show looks as though it has been peeled from the pages of a children’s picture-book, providing a pleasing backdrop for the pantomime mayhem and magic to play out. 

Alongside Fine Time Fontayne there is a host of fabulous Oldham Coliseum panto favourites – Richard J Fletcher is a comical success as Silly Billy Suet and is always a hit with the young crowd; Liz Carney takes on three larger-than-life roles – showcasing her ability to slip between costumes and accents, she is a triumph as Fairy Godmother Nell, Captain Bonny and the Sultana of Morocco. Simeon Truby gets the crowd going as evil baddie King Rat – his Rat Out Of Hell Meatloaf cover is definitely a highlight of the night and gets a pleasing cheer from the audience before they remember to boo and hiss. Miley Rose impresses as somersaulting Tom the Cat.

Oldham Coliseum’s Dick Whittington is everything that a pantomime should be. With plenty of laugh-out-loud moments, David Bintley’s lively musical score and the opportunity to interact with the performance – all taking place in an ideal sized theatre, where everyone feels part of the action. Dick Whittington is packed with festive magic, mischief and good old-fashioned fun – the perfect production to share with all of the family this Christmas.

-Kristy Stott

Dick Whittington runs at Oldham Coliseum until  13th January 2018 and you can get your tickets here.

REVIEW: Sleeping Beauty (Oldham Coliseum)

Sleeping Beauty at Oldham Coliseum © Joel C Fildes
Sleeping Beauty at Oldham Coliseum
© Joel C Fildes
upstaged rating:  

The team at Oldham Coliseum always succeed in delighting their dedicated Northern audience during pantomime season and this year they’re back, and true to form, with Sleeping Beauty.

With Kevin Shaw at the helm, Oldham Coliseum triumph once again – following their tried and tested recipe of pantomime goodness. With no glitter spared, every performer has that magical twinkle in their eye and, commanding the stage, they deliver the perfect Christmas show. Perhaps what makes Sleeping Beauty so delightful is that every child (and adult) feel involved – the auditorium is just the right size for the audience to be able to interact, which is a real bonus for the younger theatre-goers.

With an unexpected reshuffling of the cast following Fine Time Fontayne’s injury in rehearsal, Simeon Truby jumps into dame Nanny Nutty’s large and vibrant Doc Marten’s and delivers a superb performance. Celia Perkins’ costume design is a real treat – bright, larger than life and guaranteed to put a smile on even the most hardened of faces. Accompanied by Dave Bintley’s toe-tappingly brilliant musical soundtrack, Fine Time and Shaw’s script is tight and littered with references to popular culture. With a range of gags for the adults and the usual panto slapstick for children, Sleeping Beauty is a real winner with the diverse crowd.

Radiant Demi Goodman steps daintily into the role of Briar Rose, oblivious to the curse that has been thrust upon her by the bitter Carabosse, played by Liz Carney. Comedy capers are plentiful from Oldham Coliseum regulars Richard J Fletcher and Justine Elizabeth Bailey as The Nutty’s with Demi Goodman doubling up to play Nicky Nutty. Sara Sadeghi is full of energy playing both the good fairy, Spinning Jenny and the ‘super shiny’ Queen Hermione; David Westbrook completes the super line-up as King Cuthbert – there is no weak link here. The chorus dancers are full of energy, unbelievably light on their feet and springier than bouncy balls.

Simply put – Oldham Coliseum’s Sleeping Beauty is everything that a pantomime should be. There are plenty of laugh out loud moments, a lively musical score and the opportunity to interact with the performance – and all in an ideal sized performance space, where everyone can feel part of the action. Packed to the brim with magic, mischief and good old fashioned fun, Sleeping Beauty is certain to get all of the family ready for Christmas.

-Kristy Stott

With performances running until 7th January 2017, Sleeping Beauty is the perfect treat for families this Christmas. To book your tickets click here.

REVIEW – Our Gracie (Oldham Coliseum)

Our Gracie at Oldham Coliseum
© Joel C Fildes
Upstaged Rating: 

Oldham Coliseum are certainly bound to excite their friendly Northern crowd with a brand-new stage production celebrating the life and talent of Dame Gracie Fields. Hailing from Rochdale, Gracie labelled herself as Britain’s most popular female entertainer of all time. It’s a big label and she’s a big character and there is no better place to stage the premiere of Philip Goulding’s new musical than ‘up’ at Oldham Coliseum.

Born just a short distance away from Oldham Coliseum above her grandmother’s chippy, Dame Gracie Fields first performed in the theatres of Oldham and Rochdale. The story of the local mill girl who became an international star continues to inspire many performers today.

Our Gracie is written in the style of the old music hall and incorporates live music and toe-tapping song along with movement and feel-good banter. Philip Goulding’s clever script documents Gracie Fields’ vibrant and inspirational life using her own words and infectious personality. The production transports us back to the Oldham Repertory Theatre Club of the 1960’s where we are ready to welcome Gracie Fields to the stage.

Sue Devaney as Gracie Fields (2)
Sue Devaney as Gracie Fields Photo Credit : Joel C Fildes

Sue Devaney takes on the title role and gives a phenomenal performance as Dame Gracie Fields; her beaming smile and rich Northern tone perfectly capture the down-to-earth personality and charming stage persona of the Rochdale-to-Hollywood star. What makes Devaney’s performance so special is her ability to connect with her audience, which arguably was also Gracie Fields’ greatest talent. Many of the audience sing and clap along enthusiastically as she belts out Sing As We Go, The Biggest Aspidistra In The World, Walter, Walter and her most famous signature tune Sally.

 

Six of Oldham Rep’s finest support Devaney in presenting the fascinating life of Dame Gracie Fields – playing a variety of roles between them, they present the intriguing characters that influenced Gracie during her vibrant life. As well as providing a wonderful live soundtrack, the talented company introduce us to George Formby, Laurence Olivier and Liberace. Often breaking the fourth wall to speak directly to the audience – it’s refreshing and engaging and there is a powerful harmony between the audience and the performers. Liz Carney has a wonderfully sweet tone and gives a dedicated and wonderfully comic performance; Ben Stock generates genuine laughter from the spirited crowd as dedicated pianist Harry and flamboyant showman Liberace.

The music hall style is possibly not for everyone, packed with silly gags and an exaggerated acting style, but the Oldham crowd seemed to enjoy it on the night I attended. Regardless of this, Our Gracie is a wonderful trip down memory lane, filled with nostalgia and warm sentiment.

-Kristy Stott

Our Gracie runs until 26th March 2016 at the Oldham Coliseum and you can click here to get your tickets.