Jon Bausor

REVIEW – Lord of the Flies (The Lowry, Salford)

kristobel
LORD OF THE FLIES © Johan Persson/
LORD OF THE FLIES
© Johan Persson
Upstaged Rating: 

The sound of crickets chirping and the steady beat of tribal drums give way to shrieking and chanting. Boys with shredded school uniforms, ties wrapped around their heads and faces smeared with blood dart about the stage. Tumbling through foliage, climbing up mountains – they hold roughly sharpened sticks as they hunt down their prey.  

Written in 1954, Lord of the Flies is a novel by Nobel Prize-winning English author William Golding. The novel has become a staple text for many British school children and tells the story of a group of schoolboys who survive a catastrophic plane crash. What starts out as a desert island adventure quickly descends into a savage struggle for survival. In a habitat far from modern civilisation, these well-educated children regress to a primitive state.

Recommended for ages 11 and over, this sharp stage adaptation by Nigel Williams is gripping from beginning to end. With references to modern culture – instagram, reality TV shows and 3G – the language is fluid and succinct depicting the gangs merciless descent from island paradise into horror.

Jon Bausor’s crashed jet set design impresses, scattered components of the aircraft fill the stage allowing for the action to take place on multiple levels, creating the illusion of difficult  terrain. Under Timothy Sheader’s extraordinary direction, the boys swing and scramble over the strewn luggage and plane parts in their vicious fight for power and survival. Stylised slow motion choreography gives the production a cinematic feel, perfectly creating pace and tension; Nick Powell’s superb soundscape intelligently fuses natural sounds of the wild with the noise of pure horror and decay.

The cast have an unbelievable abundance of talent between them – their energetic performances were nothing short of faultless. Particular mentions must go to Connor Brabyn as Jack, the savage chief of the gang and his rival – moral minded Ralph, played by Luke Ward-Wilkinson. Anthony Roberts’ performance as Piggy was also phenomenal – the gasps from the audience during his final speech were a clear testament.

This is easily one of the finest pieces of theatre that I have seen this year. I spent most of the performance perched on the edge of my seat. Most of the audience was made up of school children and with not a peep or snigger heard from them throughout – that is a sign of a superb production.

Go and see.

-Kristy Stott

Lord of the Flies is at The Lowry until Saturday 5th December. The tour then continues at the Theatre Royal in Bath from the 12th January to 16th January 2016. For more tour dates through 2016 click here.

REVIEW – To Kill a Mockingbird (The Lowry)

kristobel
© Johan Persson
© Johan Persson
Date: 19 May 2015
Upstaged Rating: 

 

Adapting Harper Lee’s Pulitzer Prize winning novel, To Kill a Mockingbird, for the stage is a brave decision to make. The novel has recently celebrated it’s 50th anniversary and besides being a staple on the GCSE curriculum, it has been translated into 40 languages and sold over 30 million copies worldwide. This humble, poignant and charming stage adaptation by Christopher Sergel pays homage to the legacy of the novel and everyone who has read it.

With simple staging the cast present the story of racial injustice in a small-town community in the Deep South. Lawyer Atticus Finch is in seek of the truth when he represents Tom Robinson, who stands accused of rape. The narrative is told through the eyes of his daughter, Scout who is a feisty and inquisitive young girl.

The play opens with the whole of the cast holding various editions and well thumbed copies of the novel in an acknowledgement to the text. Under Timothy Sheader’s skillful direction, the company then remain visible throughout the production, each holding and reading their copies of the book at each side of the stage. All costume changes are all performed with little fuss on stage, in a bid to create the insular society that the characters inhabit. And musician Luke Potter plays a colourful folk soundtrack composed by Phil King, which hints at the slow pace of life in Maycomb.

The simple stage design by Jon Bausor creates a perfect canvas for the storytelling to shine, as the cast read excerpts from the novel, staying true to the texts original form. Daniel Betts gives a captivating performance as Atticus Finch, particularly during the court scene. Scout (Rosie Boore), Jem (Billy Price) and Dill (Milo Panni) certainly impress, especially when so much hinges on the quality of the child actors in this production.

Perhaps my only qualm is that the production does take for granted that the audience have all read the text – Boo Radley’s character is not really explored enough for us to fear him and as a result the ending does lack some depth. Nevertheless, this is a production which is definitely worth seeing and not just by those studying for their GCSE’s.

-Kristy Stott

 To Kill a Mockingbird is at The Lowry, Salford until Saturday 23rd May 2015.