2017 marks the 30th year anniversary for New Adventures and to celebrate this milestone Sir Matthew Bourne brings the first full-length ballet adaptation of Hans Christian Andersen’s fairy tale The Red Shoes to the stage. The Red Shoes is one of the lesser known of Andersen’s stories but it strikes a resounding chord with the dancing world; it has been a 20-year ambition of Bourne’s to revive the Academy Award-winning 1948 film storyline for his audience.
The ballet tells the much-loved story of Victoria Page (Ashley Shaw), a young dancer who is torn between fulfilling her dream and falling in love. Victoria dreams of being the greatest dancer in the world but when she falls for the struggling composer Julian Craster (Chris Trenfield), she finds herself caught in the midst of a battlefield between her love and her one true love, which is to dance.
When Victoria puts on the vivid red ballet shoes, given to her by the commanding ballet impresario Boris Lermontov (Sam Archer), she is unable to stop dancing until the shoes are removed from her feet. Strikingly set against Lez Brotherston’s stylish monochrome backdrop, Ashley Shaw moves passionately with technical brilliance and much like the red ballet shoes on her feet, she is intoxicating to watch – graceful and passionate en pointe.
Chris Trenfield demonstrates strength and agility as a dancer and storyteller through his sensitive and charming portrayal of love interest, Julian Craster. Sam Archer’s imperious Boris Lermontov offers a striking contrast – ambitious, pushy and marked. Commanding the stage, the red shoes become a tool of seduction; their trailing red ribbons indicative that all may not end well.
Throughout the performance my eye was drawn to Liam Mower as gregarious Ivan Boleslawsky – agile, fun and bold – Mower is just mesmerising to watch.
Sir Matthew Bourne’s choreography is elegant and super stylish, and the company deliver with precision and wit. Bourne is a unique storyteller who is never afraid to challenge himself – it is this which makes every production he takes on a triumph.
Terry Davies’ new musical score, using the music of golden-age Hollywood composer, Bernard Herrmann, is an absolute delight. Managing to juxtapose the romantic, heart-achingly beautiful with the more playful, comical numbers – the New Adventures Orchestra deliver with gusto. Lez Brotherston’s ornate revolving theatre set design and dazzling costumes inspired by 1940’s glamour contrast strikingly against Duncan McLean’s Burton-esque video projection.
The Red Shoes is a breathtaking balletic display – a beautifully tragic tale poignantly told.
But don’t just take my word for it – go and see for yourselves.