There is the eerie flickering of candlelight and the faint sound of Edwardian music hall as we walk into Manchester’s Royal Exchange Studio and take our seats. Barber Owain Sawyers (Gary Lagden) is tending to his client – he’s comfortable with using a cut-throat razor as he spruces up his latest victim customer and it soon becomes apparent that Sawyers doesn’t shy away from a spot of dentistry either…
“If you’re sure that Ghosts aren’t real,
If your Nerves are made of Steel,
If you’re brave and if you dare,
Come sit upon the Barber’s Chair.”
Written and directed by Lewis Gibson, The Chair is set in a barber shop in an creepy Cardiff port called Tiger Bay. Our barber and accomplished storyteller Sawyers is assisted by his aide Hans (Christopher Preece) and together they animate stories of mermaids, ancient Egypt and mysterious tales of wonder and suspense.
Gary Lagden keeps the diverse audience captivated with his skilfull storytelling – he moves through from Sawyers’ Welsh lilt to take on a range of different accents and physicalities as each twisted and chilling tale unfolds before us. The poetic and haunting performance is heightened by Louie Whitmore’s ghostly set and the macabre musical score played by versatile performer Christopher Preece. The shadowy set doubles up to provide a spooky soundscape – an upright piano howls unconventional chords to build suspense before it transforms into a ship’s sail and a large drum provides the uneasy beat of a blue moon.
Director Gibson folds the audience into the action as a few willing members step up to take a seat in the barber’s chair – there’s the offer of a trim and even a dram of whisky for some enthusiastic volunteer. Lagden’s Sawyers often looks out into the crowd and refers to us as sailors or ancient skeletons; sometimes he holds our gaze for a millisecond longer than is comfortable and it all adds to the unsettling atmosphere. My son, Thing 1 looked curious but equally terrified when Sawyers made his way over to him and my other son, Thing 2 averted his gaze for fear that he would be next. Both Things, aged 9 and 6, were compelled by the performance of The Chair from start to finish.
The Chair
at the Royal Exchange, ManchesterThe pace of the production is pleasing too – there is a humorous ditty about anatomy and surgery just before the mirror takes centre stage for the grand finale. No spoilers here.
The Chair is a thrilling hour long journey of creepy magic, adventure and storytelling that is suitable for all ages from 7 upwards.
-Kristy Stott
The Chair is running at The Royal Exchange Theatre in Manchester until Sunday 18 October 2015.
Although younger audiences are often the harshest critics, enjoyable and engaging children’s theatre does not need lavish sets, costumes or gimmicks. Flicker and the Flying Books, a new production presented by the Royal Exchange, with props made out of paper, had all of the young, curious theatre-goers joining in with the performers, following simple movements, laughing and clapping. All going to prove that interaction, music and familiarity are key when trying to put on a show for 3 – 8 year olds.
Flicker and the Flying Books is being presented by the Royal Exchange Theatre Young Company, a scheme for young people aged 14-21, together with the Elders’ Company, a practical drama and theatre making project for anyone over 60. This wonderfully imaginative theatrical caper is also produced in partnership with Manchester Children’s Book Festival, which runs until the 5th July 2015.
Everybody is very busy and Benji (Jake Mainwaring) is bored and the last thing that he wants to do is read a book, “ A book? Boring! Books are boring!”…That is until the marvellous Flicker (Judith Wood) starts throwing books from the shelves and flicking through pages revealing a magical world that Benji never knew existed.
Directed by Andrew Barry, Flicker and the Flying Books has been developed by the whole company together with Matt Hassall and Josie Hepplewhite and features original music by talented Young Company member Abigayle Bartley. The soundscape is enriched by the companies voices, notably Matt Boylan, who collaboratively manage to create a bustling environment, an underwater paradise and a prehistoric dinosaur plain.
The simple but effective set design by Meriel Pym sees the ensemble make a dinosaur, Rapunzel’s golden hair and the Little Mermaid purely out of paper – it is all that the young audience need to trigger their vivid imaginations.
Flicker and the Flying Books is a refreshing, lively and positive new piece of theatre for a young audience; it is wonderful to see the Elders’ Company and the Young Company working together, listening and sharing each others ideas. Running at around 30 minutes, I would recommend Flicker and the Flying Books suitable for ages 3-6 years old. The production is completely free to watch but you must book in advance by calling the Royal Exchange box office on 0161 833 9833.
Flicker and the Flying Books is being performed on 4th July 2015 at 11:00am and 2:30pm at Manchester Central Library. Tickets are FREE but you must book in advance. Please call 0161 833 9833.
Flicker and the Flying Books is also showing at New Vic Theatre, Stoke-on-Trent on 11th July 2015.
Tall Stories Theatre Company are well versed in adapting well-loved children’s stories for the stage. Using their trademark physical theatre style, catchy signature tunes and puppetry – they succeed in appealing to the adults in the audience just as much as they do the children.
And Tall Stories usually present the well-known childhood story with a frame story which serves to entertain the children as they enter the theatre. There is no waiting around for the action to start because as the audience file in to take their seats, the actors are all on stage improvising a camping trip to the woods. What is really clever is that the actors tap into older relatives experiences of a family camping trip too, particularly us parents who might find that we need to have “a ploughmans, a tiramisu and then…a shot!”
The camping trip setting leads through to a Blair Witch-esque sighting of something flying in the sky which leads neatly to the narrative that we have all been eagerly waiting for, Julia Donaldson and Axel Scheffler’s, Room on the Broom.
Yvette Clutterbuck’s Witch is as scatty as is hinted at in Donaldson’s original story, a good likeable witch who struggles to cast a spell. Luckily, she has a super competent cat with plenty of ideas, a marvellous singing voice and an endless supply of sweets, played by Emma MacLennan.
As the witch and her cat fly along on their broom stick, they end up making friends with three other animals, who help her retrieve her belongings when they fall to the ground. The puppets, designed by Yvonne Stone, are well characterised by David Garrud, who plays the dog and the frog and Daniel Foxsmith as the green bird. The American country and western singing frog is a particular hit with the young audience, as is the dog, especially when the two puppets swap accents during an exchange. I’m not sure that this was intentional but it was a great source of humour for many in the audience.
Tall Stories Theatre Company, headed up by Artistic Directors Olivia Jacobs and TobyMitchell, never fail to delight with their interpretations of Julia Donaldson’s well-loved tales. Although admittedly, Room on the Broom wasn’t my favourite Tall Stories production, they have certainly succeeded in producing superb children’s theatre consistently and they absolutely had the young audience at The Lowry under their spell for the full 55 minutes.
-Kristy Stott
Room on the Broom is at The Lowry, Salford until Sunday 12th April 2015. It then continues the tour at The Lyceum Theatre in Crewe for 14th and 15th April. Room on the Broom continues to tour nationally until 29th August 2015. For further UK tour dates click here.
I Believe in Unicorns is a captivating and expressive story penned by one of our greatest storytellers, Children’s Laureate and writer of War Horse, Michael Morpurgo. In this adaptation for the stage, Theatre Alibi unpack the experiences of Tomas and his family in an inventive and visually stunning way. Using live music, puppetry and powerful physical theatre sequences, the moving story is brought to life completely for the audience. I even had a tear in my eye by the end and Thing 1 (9 years old) whispered in my ear, “I feel very sad for them.”
“The Little Match Girl puppet made me feel sad. Some people in the world are poor and some people are rich”
Tomas didn’t like books or stories. He was happier clambering in the mountains like a goat or tobogganing with his Dad. One afternoon, Tomas’ mum suggests going to the library. Tomas is reluctant until he arrives at the library and meets the Unicorn Lady who has a wonderful talent for storytelling, opening the pages and setting the magic free. Tomas’ world becomes so much bigger as he reveals the wonder of stories, the importance of books and the power of his imagination.
“He pulled funny faces, like me, when his mum was taking him to the library.”
There isn’t a weak link in the cast of three, Ben Worth‘s Tomas is animated and well paced, he leads us fluidly from the fun of physical theatre through to scenes loaded with emotion. Derek Flood and Cerianne Roberts are skilled in playing several different characters with ease; a change of voice and posture and a new prop is all that the younger members of the audience need to understand this. The atmospheric lighting design by Dominic Jeffery and live music by Thomas Johnson really help to pace the whole show, aiding the depth and meaning of the story.
I Believe in Unicorns is billed as being suitable for ages six and over, although I would take this with caution. The backdrop to the immediate domestic action is war torn Europe. To Tomas, the war always seems so far away until one day it reaches his village and he experiences first hand the devastation and sadness of war. It is possible that a younger child may well struggle with understanding some of the context here, given that the story is extremely well-crafted with plenty of different strands explored during its running time of sixty minutes.
However, for those older children, over the age of 8, who are able to follow the narrative and appreciate the emotion of the production, I Believe in Unicorns is a rare treat for an age group who are so often overlooked in quality children’s theatre.
“It made me feel like I was lucky.”
Thing 1 went straight home and dug out my old weather beaten copy of The Little Match Girl and began to read.
I Believe in Unicorns is at The Lowry until Sunday 22nd February and then tours nationally through Spring and Summer 2015.
February brings us Chinese New Year celebrations, Pancake Day and St Valentine’s Day…but it’s not all about dragons, roses and Jif Lemon. Here are my picks for the Manchester theatre scene throughout February…
Kate O’Donnell -Big Girl’s Blouse (Contact Manchester)
Contact Theatre Manchester have a whole bunch of good stuff to offer as part of Queer Contact 2015 celebrating LGBT arts and culture in Greater Manchester. The event runs from Thursday 5th February until Sunday 15th February, to coincide with LGBT History Month in the UK. For the full rundown please check out Contact Manchester here.
Using humour, music, and high kicks, Big Girl’s Blouse tells the story of a girl, Kate, who was born a boy and became a woman. Who knew what being transgender was in the 1970s? Not Kate’s family. The path to becoming a woman doesn’t always run smooth and with a lifetime of coming out, Kate has had to use every trick- theatrical and otherwise – to get by.
Created in collaboration with Olivier Award-winning director Mark Whitelaw.
There is a post show Q & A on 12th February with Dr Rachel Morris (Cosmopolitan).
Kate O’Donnell – Big Girl’s Blouse will be performed on the 11th and 12th February at 9pm. Tickets are £10 and £6 for concessions.
Laugh Local (Chorlton Irish Club) – Friday 7th February
Laugh Local is held on the first Friday of every month at Chorlton Irish Club. This Friday, Justin Moorhouse is joined by Jamie Sutherland, Holly Walsh and Iain Stirling. It’s a popular night in South Manchester, doors open at 6:30pm and tickets are £12.00 on the door (that’s if there are any left)! The comedy commences at 8pm and finishes up at around 11pm. All this comedy and a (free) pasty supper included in the price – what’s not to like?
The Mist in the Mirror (Oldham Colliseum)
Oldham Coliseum are proud to present the world premiere of The Mist in the Mirror. The original novel by Susan Hill has been adapted for stage by Ian Kershaw.
Hill is very well known for penning the original novel for chilling West End smash hit, The Woman in Black. This new production promises to be just as unsettling and atmospheric and is staged as if the audience are eavesdroppers to a fireside ghost story.
Visual theatre innovators, imitating the dog, will be on hand to scare you out of your wits. Their visual antics will create an unsettling feeling, on stage and off, that might just follow you home at the end of the night …
Runs from Friday 30 January to Saturday 21 February 2015 in Oldham then tours nationally
Check out this creepy trailer:
Enough of the scary stuff – isn’t February the month of amour…
And so we move on to a love story to set the pulse racing, Top Hat brings us all of the glitz and glamour from Hollywood’s golden age.
With tap dancing a plenty and celebrating all of that 1930’s song style and romance, Top Hat tells the tale of Broadway sensation, Jerry Travers who dances dances his way across Europe to win the heart of society girl Dale Tremont.
It’s won three Olivier awards for Best New Musical, Best Choreography and Best Costumes and it features Irving Berlin’s most popular toe tapping swoon tunes – Cheek to Cheek, Top Hat, White Tie & Tails, Let’s Face the Music & Dance and Puttin’ on the Ritz.
How can we resist!
Top Hat runs from the 10th February until the 21st February at Manchester’s Opera House.
Moving on to our beautiful Royal Exchange Theatre – there are a couple of shows I want to tell you about…
Scuttlers (The Royal Exchange)
Scuttlers tells the story of Manchester in 1885 as workers pour into Ancoats to power the Industrial Revolution – this is the worlds first industrial suburb, the air is thick with smoke and life is lived large and lived on the street. The young mill workers, the living cogs on its machines form the very first urban gangs. Inspired by the Manchester riots in 2011 and the stories of all of the Manchester gangs between the nineteenth century and today. This new play, written by Rona Munro, promises to give us an artistic commentary on youth gang culture and the cyclical nature of urban violence. And I believe, there are plenty of references to contemporary Manchester through the language, stage design and casting as we watch a nineteenth century Ancoats collide with twenty first century sensibility.
Running from the 5th February until the 7th March 2015.
Yen (The Royal Exchange)
Anna Jordan’s Yen won The Bruntwood Prize for Playwriting in 2013 and is receiving its world premiere in The Studio at The Royal Exchange.
The play explores a childhood of living without boundaries, where you are forced to grow up on your own. It tells the story of sixteen year old Hench and thirteen year old Bobbie, who live alone with their dog, Taliban, playing Playstation, watching porn; surviving. But when Jenny knocks on the door, the boys discover a world far beyond that which they know – full of love, possibility and danger…
Yen is running from the 18th February until the 7th March 2015.
And finally a trip up to The Lowry for some quality children’s theatre…
I Believe in Unicorns (The Lowry, Salford)
We are big fans of Michael Morpurgo in our house – of course, he is the author of The War Horse and we have a lot of his books. This story, adapted by Daniel Jamieson promises to be spellbinding and moving, telling the story of Tomas – who doesn’t like books or stories of any kind. He would rather be enjoying the great outdoors, clambering up a mountain or tobogganing with his father. That is until the Unicorn Lady comes to town and reels him in with her irresistable tales…
I Believe in Unicorns runs from 19th February until 22nd February 2015.
What a lovely treat for a half term theatre trip – you can catch the trailer here:
