Oldham Coliseum is proud to present the world premiere of Dreamers, a new musical set in the 1990’s written by Cathy Crabb and Lindsay Williams. The narrative is set around Oldham’s legendary nightclub Dreamers – the only indie club in town, famed for its music, the variety of the people who went there and the bouncer who kept everyone under control. If you were around Oldham in the 70’s, 80’s or 90’s – you probably have a few stories to tell about Dreamers too and this production is certainly loaded with witty humour, warmth and nostalgia, giving the Oldham audience a cheerful trip down memory lane.
The first half of the play is set in the 1990’s and explores the friendships and backgrounds of the young female characters. Izzy (Sally Carman) is a confident young woman who has grown up in care and who is desperate to escape from the streets of Oldham. Izzy and her best friend Toni (Rachel Leskovac), dream of escaping the grey skies of Oldham for the picture perfect marinas of the South of France as holiday reps. However, there is a longstanding disagreement between Izzy and her old friend Roz (Justine Elizabeth Bailey) which comes to a dramatic climax at the end of the first act. The second act revisits the girls twenty years later when we realise that not everything has played out the way that we thought it would.
Despite some slightly awkward overacting, most of the cast give believable performances throughout – Sally Carman shows depth as the bolshy but vulnerable Izzy and Rachel Leskovac shines playing the younger and older version of Toni with ease. Lauren Redding is outstanding though, playing a variety of smaller parts with wit and energy, demonstrating that she is a versatile performer.
Not forgetting that Dreamers is a musical – it features some well known nineties classics with slightly tweaked lyrics, ‘Sit Down’ by James, ‘I am The Resurrection’ by The Stone Roses and ‘Friday I’m in Love’ by The Cure. There are also some original compositions written by Carol Donaldson. The play also features a community chorus of talented local women who deliver the harmonies with energy and passion.
Dreamers is packed full of wit and has plenty of references to Oldham and the infamous Dreamers nightclub which really struck a chord with the Northern audience. And the humour and sentiment can be appreciated by those who are not familiar with Oldham nightlife too – we all remember sticky carpets, Diamond White and the fear of not making it past the bouncer on the door, don’t we?
-Kristy Stott
Dreamers is running at the Oldham Coliseum from 19th June 2015 until 4th July 2015.
Newcastle based company, associate artists at Northern Stage and Edinburgh Fringe 2014 favourites, The Letter Room are bringing their new show Five Feet in Frontto the Lowry Studio next week.
The Letter Room will debut Five Feet in Front in The Lowry’s Studio on Thursday 25th and Friday 26th June as part of the Lowry’s ‘Developed With’ scheme. Five Feet in Front will then be travelling to the Edinburgh Fringe in August as part of Northern Stage’s ‘Made in the North’ programme – making this the perfect opportunity for Greater Manchester audiences to boast that they saw it in Salford first.
The Letter Room’s previous show ‘Bonenkai’ received a special commendation from The Musical Theatre Network Awards at Edinburgh Fringe 2014 and through The Lowry’s ‘Developed With’ scheme The Letter Room have received an extensive package of financial support and mentoring helping them in the next stage of their work.
Five Feet in Front, directed by Northern Stages Associate Director Mark Calvert, is set down in dust bowl America. Little Johnnie Wylo must fight to save her town, before a dust storm engulfs them all. In this new musical theatre production, The Letter Room make Loud Noises and Bold Choices playing live instruments so audiences should prepare for a hoedown.
Five Feet in Front also marks the beginning of a new collaboration between the company (Newcastle based Michael Blair, Alice Blundell, Maria Crocker, Meghan Doyle, Stan Hodgson and Alex Tahnée) and writer Chloe Daykin.
Company member Meghan Doyle said: “We are so pleased to have worked with The Lowry so far on this show and we can’t wait to get it in front of an audience.”
Five Feet in Front is at The Lowry on Thursday 25th and Friday 26th June.
The show starts at 8pm. Tickets are £12 (£2 off for concessions).
Kathryn Hunter in Kafka’s Monkey. Photograph Tristram Kenton
Date: 17 JUNE 2015
Upstaged Rating:
There are not many performers who could accomplish what Kathryn Hunter has achieved in this version of Kafka’s A Report to an Academy, interpreted for the stage by Colin Teevan and masterfully directed by Walter Meierjohann – her transformation to a monkey is beyond physically impressive. Hunter is wholly mesmerising throughout the performance- from the top of her jaunty bowler hat right down to the tips of her crooked fingers when she extends her hand to greet. She holds a command over the language and projects it with a rich and expressive tone of voice and incredible physicality. From the moment that we first see her shuffle across the stage, her body depicts a bewildered beast trapped halfway between ape and human. Hunter performs with wit and precision – furrowing her brow, her arms swinging and contorting uncomfortably and her loping gait – every sinew of her body works to create an entity trapped between the two different states of being. Startled by the world, she exhales heavily through her nostrils admitting that questioning freedom “leads to the most profound disillusionment”.
Monkey tells the story of an ape that is captured in Africa and in order to survive decides to learn how to behave like a human being. It is a solo performance that runs for just under an hour during which Kathryn Hunter’s Monkey addresses an audience in a lecture hall. We are that audience and we are referred to as ‘esteemed members of The Academy’.
Hunter is supported by Nikola Kodjabashia’s hypnotic piano score and Steffi Wurster’s simple set design which uses a projection of a monkey caged by a light box, this allows the monkey to relate to her former self, before she decided to behave like a human, and also gives the sense of a contemporary academy. Mike Gunning’s striking lighting design moves through from a crisp spotlight during a jovial tap dancing routine to majestic silhouettes which appear to tower down over the half-woman, half-ape.
This is a rare treat for a Manchester audience and if there is anything that you need to see at the theatre this summer – Kafka’s Monkey is that. And now I am totally convinced that this production puts our new arts space HOME on the map and most certainly for me ‘there was no place like HOME’ yesterday evening.
-Kristy Stott
Kafka’s Monkey is running at HOME until 27 June 2015.
Noises Off, written by Michael Frayn, takes us behind the scenes to witness the backstage shenanigans of a shambolic theatre company. With less than twenty-four hours to go until their opening night of ‘Nothing On’ everything that can go wrong, is going hopelessly wrong. When the play opens the cast are in the throes of their dress rehearsal…or is it their technical rehearsal…nobody really seems to know. However, one thing is for certain – there are plenty of laughs in this chaotic and hilarious comedy about this dysfunctional theatre company.
Director David Thacker pulls out all the stops in his final production as artistic director at Bolton’s Octagon. After six years at the helm he is leaving to take up the prestigious position of Professor of Theatre at the University of Bolton enabling him to ‘engage with new generations of talent’ while still continuing to direct two productions, as Associate Artistic Director, each season for the Octagon.
Designed by Ruari Murchison, the intricacy of the set is highly impressive and the scene changes even more so. The play runs for just over 3 hours which includes two 25 minute intervals during which the backstage crew completely switch the set around. Although these set changes may seem slightly excessive, many of the audience seemed to enjoy watching the production crew turn the stage around so quickly. Also, considering the themes of the play it was very apt that the audience were able to have a glimpse into the real-life workings of a theatre and all of the hard work that goes on behind the scenes.
The cast of nine all bring high energy and impeccable timing to the stage with notable performances from Jessica Baglow (Poppy), Colin Connor (Freddy), Paula Jennings (Brooke), Barbara Drennan (Belinda), James Quinn (Tim) and James Dutton (Garry), Charlotte Cornwell (Dotty) and Alan Taylor (Selsdon). Philandering and harassed Director Lloyd Dallas, played by Rob Edwards attempts to get the show on its feet despite Dotty’s missing sardines, Selsdon’s drunken antics and doors that stick or won’t close properly.
Noises Off has all of the trademarks of a superb British farce, providing the perfect closure to the Octagon’s theatre season and David Thacker’s position within it. There is certainly a lot to enjoy in this classic comedy and judging by the laughter in the auditorium on the night I attended, it’s a big hit with the Bolton audience too.
-Kristy Stott
Noises Off runs at the Octagon Theatre in Bolton until 4 July 2015.
Notable dates include: Meet the Director and cast Monday 29 June and Investigate Day (a full day event around the themes and issues of the play) on Saturday 27 June. There is an Audio Described performance on Wednesday 24 June, British Sign Language performance on Thursday 11 June, and Captioned Performance on Thursday 2 July.
Constellations, written by Nick Payne, follows the relationship between a man and a woman from the first time that they meet each other at a barbeque. The play is built on the quantum multiverse theory and goes on to visit Marianne and Roland at six different points in their relationship – exploring how certain situations, conversations and decisions can change the course of their lives together.
Constellations first premiered at the Royal Court Theatre in London in January 2012 and it is hard to compare it to anything that I have ever seen. The trick of the play is that the two highly talented actors remain visible on stage for the whole 70 minutes duration and they constantly replay scenes in their relationship. Their conversations and experiences take place in the multi-verse, where the past, present and future exist at the same time. It is an intimate comedy about connecting and relationships, the funny and the tragic but there is an overwhelming sense of spontaneity – Marianne and Roland inhabit a place where anything could happen.
Louise Brealey, probably best known for her role as Molly Hooper in Sherlock, is especially captivating as Marianne alongside the easy going bee-keeper Roland, played wonderfully by Joe Armstrong. Set to the beautiful backdrop of a stage filled with balloons, this play is a real showcase for Louise Brealey and Joe Armstrong’s outstanding acting skills.
Nick Payne’s script is truly magnetic as we watch Marianne and Roland’s relationship unfold before us – it’s like a powerful collision between science and nature, as we watch the quantum scientist and bee-keeper explore their relationship through a series of different moments in their lives. Each situation plays out slightly differently each time due to the decision that the characters make and as the audience we are fascinated to see which turn their story takes next.
The wonder of this production is that we do not know which way the story will play out until we do reach the final moments with Marianne and Roland. In the whole 70 minutes we have laughed and been moved by their relationship and the turns that it has taken. Ultimately, in my cosmic universe Constellations is a dazzling, thought-provoking and intelligent triumph.
-Kristy Stott
Constellations is at The Lowry, Salford from 9 June 2015 until 13 June 2015
Following the success of Luisa Omielan’s last show What Would Beyonce Do, she has been catapulted into stardom and earned her stripes as a feisty, forthright and frankly downright funny stand-up comic. There has been a real buzz of publicity around Luisa Omielan’s latest show, Am I Right Ladies – she has made the headlines for stripping down to her spanx and the popular ‘thigh gap’ video went viral and totted up more than 10 million views on Facebook alone.
Am I Right Ladies explores Luisa’s new found fame and focuses on her life as a female comedian, being a woman and the currencies that we use to valuate ourselves and each other. Am I Right Ladies tackles subjects such as weight and body image, depression and derogatory language against women. What makes Luisa so special is that she can approach these emotive and current issues with empathy, vigor and amusement – I left Luisa’s show with an aching jaw, a big grin on my face and feeling half a stone lighter.
Luisa Omielan’s crowd is made up mainly of women although there were a few men who had curiously popped along with partners to see what all the fuss was about. Interestingly it was the men who seemed to laugh the loudest throughout the bold, brassy and fearless show. Luisa has a talent for making her audience feel privy to her hilariously personal and intimate stories -her one night stands, her holiday to Zante when she was nineteen and her liberating encounter with ‘well endowed’ Errol.
The only shame was that Luisa’s warm up act Zoe Iqbal didn’t get the liberated crowd quite as ‘lubed up’ as she had promised to, which gave the whole experience a bit of a lull before Luisa took to the stage for the main show. However, once Luisa took centre stage to the beat of some current tunes, the audience relaxed into the big night out vibe.
Luisa is no doubt a fabulous star and a real figure that many women can relate to, her future is bright and I can’t wait to see what she brings in the way of new material. Am I Right Ladies is just the ticket you need for a night out with the girls and so as Luisa says ‘Go Get Yours!’
-Kristy Stott
Luisa continues her Am I Right Ladies tour in Belfast The Mac on the 18th-20th June 2015.
There was a bustling, excitable crowd at The Lowry in Salford last night to catch the final leg in the UK tour of WICKED. People of all ages, seasoned theatre goers and musical newbies turned out to catch this phenomenal show which has won 100 international awards and continues to build on its popularity, casting its magical spell over audiences all over the world for over a decade.
With a focus on Glinda and Elphaba, Wicked inverts and twists the story about the witches of Oz and in a spectacular and poignant way reveals an alternative perspective to the characters and our perception of good and evil. Glinda, forever loveable but not always ‘good’, becomes a character who is redeemed through her experience and the ‘Wicked’ Elphaba, endearing and resolute, struggles in a society where she is perceived as different.
Emily Tierney is outstanding as Glinda, with a ‘toss-toss’ of her hair she plays the ‘popular’ but superficial blonde who eventually stands to become the Good Witch of the North. Ashleigh Gray, steals the show as Elphaba with a warm, witty and emotional portrayal of The Wicked Witch of the West. Their pitch perfect and powerful rendition of ‘For Good’ left the audience as bewitched as the grand ‘gravity-defying’ climax at the end of the first act when Elphaba finally realises her sorcery powers.
Samuel Edwards gives an energetic and well realised performance as love interest Fiyero and Steven Pinder delivers a strong performance as the contrived and power hungry not-so-Wonderful Wizard of Oz.
Directed by Joe Mantello, Wicked is a theatrical feast for your eyes, ears and hearts – Stephen Schwartz’s magnificent music and lyrics are delivered with vigour by the live orchestra and energetic cast and Susan Hilferty’s exquisite and bright costume design and ensures that wherever you cast your eye about the stage there is always something to intrigue. And Eugene Lee’s lavish set design works in perfect harmony with Kenneth Posner’s striking lighting scheme.
Wicked was met with a well deserved standing ovation by the responsive and enthused Northern crowd and now that Wicked has embarked on the final flight of its UK tour – I would urge you to get your ticket and take this trip to the magical Land of Oz while you can.
-Kristy Stott
Wicked is playing at The Lowry in Salford until 25 July 2015.
At 3.40pm on May 11th 1985, a small fire broke out in the main stand at Valley Parade football ground during the final match of the season. Within four minutes the wooden structure was ablaze.
The Bradford City football ground fire was the worst fire disaster in the history of English football and this year marks its 30th anniversary. Fifty four Bradford City supporters and two Lincoln City supporters lost their lives in this tragic event. Sheffield based FYSA Theatre Company have produced this remarkably moving piece of documentary theatre wholly from real life testimonies and interviews with witnesses. This unique theatrical experience brings the audience closer to the raw emotions of the survivors and provides a truthful retelling of individual stories.
Under Matt Stevens Woodhead’s uncomplicated direction, the three actors give powerful and poignant performances as they look directly out into the crowd, each sharing their traumatic accounts – from the first signs of smoke through to their experiences in the hospital burns unit. The stage is set very simply with a wooden football stand construction and there is little movement from the performers, except when they move into the stand for a section of the play – it all makes for a fitting and respectful tribute.
Perhaps what makes this courageous play all the more authentic is the way that TomLodge, Will Taylor and Danni Phillips deliver the tiny details and idiosyncrasies of everyday speech. The piece also has a strong sense of camaraderie and pride and is freckled with humour, which makes for a convincing and touching representation, revealing solidarity, strength and community in the face of overwhelming tragedy.
The 56 certainly moved many people in the audience to tears on the night that I attended. However, the company also managed to establish a resounding sense of Yorkshire pride, bravery and community when they described people helping each other to safety during the atrocity and then supporting one another through the aftermath.
The 56 is a considerate and emotional tribute to all who were affected by the fateful events on May 11th 1985. If you do get the opportunity to see this production, I would urge you to go.
All profits from The 56 are donated to the University of Bradford Plastic Surgery and Burns Research Unit.
Manchester’s newest arts centre HOME thrust open its doors for its official HOMEwarming celebration last week. Following the merger between the Manchester’s Cornerhouse and Library Theatre Company, the first theatre production at the new venue is perhaps a fitting fusion of old and new. The Funfair is Simon Stephens‘ new version of Ödön von Horváth‘s masterpiece, Kasimir and Karoline. There has been a huge build-up for this production and the stakes have been set quite high and sadly, The Funfair does not live up to its expectations.
Directed by Walter Meierjohann, The Funfair follows twenty four hours in the lives of two young lovers who are on the verge of splitting up. Cash (Ben Batt) has recently lost his job as a chauffeur and now fears that he will lose his girlfriend, Caroline (KatieMoore) too. In a strange and twisted parallel relationship, Frankie Marr (Michael Ryan) and Esther (Victoria Gee) already inhabit the lowest depths of despair, a world of unemployment, anger and dirt – surviving in the only way that they can.
Set in Manchester, to the backdrop of the recession and massive social unrest, the characters are unable to free themselves from the disorientating reality of the funfair. TiGreen‘s dark and distorted stage design suggests the hopeless and cyclical world which the characters fight to exist in – a revolving stage, haunting carousel and dark figures watching on from the hidden corners in the set, all manage to create an unsettling and uncomfortable atmosphere, complemented by Mike Gunning’s lighting design.
The Funfair is relentlessly bleak and despite the odd grasp at humour and the wonderful live band playing a soundtrack of popular songs – it is awkwardly politically defined and too repetitive. There is little hope for any of the characters, who are reduced to caricatures, particularly the women who are victims of abuse and are objectified in an uncomfortable sexist world. Victoria Gee’s portrayal of Esther is perhaps the only exception to this – her impressive performance is stripped back, we care about her and she gives us the only shard of hope for the future.
The Funfair is a bold first production by HOME which makes me feel thrilled to be part of the Manchester theatre scene. However, it left me feeling as if I had overindulged in candyfloss and then taken the wildest ride on the waltzers. A sensory overload but nevertheless an arresting showcase for HOME’s production capabilities which makes me very excited for the future.
-Kristy Stott
The Funfair is on at HOME, Manchester (2 Tony Wilson Place, M15 4FN) until 13 June 2015.
For those of us who aren’t jetting off to sunnier climes during the Whitsun school holidays, there is an abundance of good stuff going on. I’ve helpfully compiled the best picks of theatre, film and creative activities for families happening in Manchester from 22nd May until 7th June 2015…
The Lowry
Remember Basil Brush? Well “Ha ha ha! Boom! Boom!” – he is coming back to The Lowry in Salford for a performance on 24th May 2015. Currently, he is super busy on his UK tour, a brand new specially written ‘live’ stage show, which promises to be packed with laughs, storytelling and song. He’s celebrating over 50 years in show business and he’s back With a boom in The Basil Brush Show. Suitable for ages 3 and up.
One Little Word also heads to The Lowry for 4 performances on 24th and 25th May 2015. A play from local M6 Theatre Company, who are internationally renowned for producing high quality, dynamic and relevant theatre for young audiences. One Little Word is a moving and beautiful story about friendship, power struggles and the rich world of creative play.
Stick Man Live on Stageheads to The Lowry from 26th May until 31st May 2015. It’s suitable for ages 3 and up and tells the charming tale of Stick Man, as he tries to escape playful dogs, nest building swans and even a fire, in a bid to get back to the family tree.
Also, at The Lowry on the 6th June 2015 is The Bounce. This is a multi-sensory and highly interactive show, using trampolines, video projection and live music, for young people from 3-19 who are defined as having Profound and Multiple Learning Disabilities or who are on the Autism Spectrum.
This half term also brings the usual fun and frolics with Half Term Little Actors, who will be swimming in rivers and rolling through forests with The Hedgehog and her Hoglet and Half Term Little Artists who will be making their own characters inspired by Julia Donaldson’s book Stick Man. Sessions are suitable for ages 5-11 and run from 11:00-12:30 from 25 May until 29 May 2015 at The Lowry.Each session costs £3.50.
For ages 11-18 there is Wicked – Half Term Musical Theatre Madness running from 26 May 2015 from 10:30-15:30. Over the 3 days young people will work with a professional Musical Theatre director and performer to stage well known musical theatre hits and perform them at the end of the course for family and friends. No experience is necessary.
Waterside Arts Centre
Flyaway Katiezooms into the Waterside Arts Centre in Sale on the 28th and 29th May 2015. Based on the popular Children’s book by Polly Dunbar and with music by Tom Gray of Gomez – Flyaway Katie is an inspiring flight of fancy about the power of imagination.
Forensic Science in Action is back at Waterside Arts on the 30th May– the event is led by experienced forensic scientists and is suitable for children aged 7-11. Ticket price is £20 which admits 1 adult & 1 child to the session. (Every child MUST be accompanied by an adult).
Birds Nest Theatre presents My Friend Moleon the 31st May at Waterside Arts. This hour long show also includes a stay and play and is suitable for ages 3-6.
In addition to this, Waterside Arts Centre are also having film screenings of Paddington and The Goonies on Wednesday the 27th May 2015.Visit their website for times and prices.
The Edge Theatre and Arts Centre, Chorlton
The Journey Home, the acclaimed children’s book by award winning author Frann Preston-Gannon, is brought to life through puppetry, lyrical music and transformative design in this new production by Little Angel Theatre.
The Journey Home is at The Edge on the 22nd May 2015 (11:00am/1:30pm) and Z-Arts in Hulme on the 23rd May 2015 (2:30pm/3:15pm) – with a running time of 45 minutes, it is perfect for ages 2 and over.
Casa comes to The Edge on 4th June 2015 with 2 showings at 11:00am and 1:30pm. It is advised for ages 1-5 years and tells the surreal story of a grown-up and a child who meet, get to know each other and start to build. Building turns into play, and little by little, while playing, they build a story. For more information click here.
Z- Arts
The Journey Home arrives at Z-Arts on the 23rd May 2015 (2:30pm/ 3:15pm). Please see listing above, The Edge for the trailer and more information…
Tarsa by Dorna Theatre is also showing at Z-Arts from 26th May until 28th May 2015. This play is suitable for ages 14 and up and features live music and dance. More information can be found here.
Z-Arts also have a number of events available for those families with a Bright Sparks Membership. Membership costs just £15 per year per family and gets you discount on some shows as well as free access to all of the regular activities at the centre.
Bolton Octagon are offering two workshops during the half term break.
On 27th May 2015 there is Shake Up Your Shakespeare which is suitable for ages 11-18 and on 28th May 2015 there is The Magic of Masks, suitable for ages 8-11. Each of the workshops costs just £10 and runs from 10am until 4pm.
HOME
And finally, HOME are throwing open their doors on Thursday 21st May for a jam-packed long weekend of free events, art, theatre, film and music. On Sunday 24th May it is family day – bring your own picnic for First Street’s first street party. There will be lots of free events for all of the family to enjoy, including a whale and an incredible book-eating boy.
For more information please click to check out the fullHOMEwarming programme. It also has details of where HOME is and also advice on the easiest way to get there…
Eggs Collective Present 80’s favourite BIG on Sunday 24th May at 12:oo – Book your place for a special interactive screening, featuring fun and surprises from theatre group Eggs Collective.
