Upstaged Rating: ⭐⭐⭐
Reviewer: Daniel Shipman
Opera North have a long history of making classic opera accessible without ever dumbing it down – the company first tackled Mozart’s The Marriage of Figaro in 1979. This 40+ years of experience shines through in their approach to the convoluted plot, one which has enough instances of mistaken identity to make even Shakespeare blush.
Heather Lowe as a notably androgynous Cherubino steals the show, bringing a blend of sincere desire and impeccable comic timing which exemplifies a perfectly balanced approach to de Ponte’s libretto. Despite featuring Figaro’s name in the title, this is an ensemble piece that relies on a consistent cast – something which isn’t always present in this production. Whilst every member is undeniably talented, some lack the charm and character which are necessary to make a three-hour opera truly enjoyable.
The approach to gender, power and morality are understandably dubious, given that the plot is around 250 years old at this point. However, Opera North manage to tread the fine line of preserving the integrity of the original intention whilst adding a modern perspective that allows us to laugh at the naivety and folly of the past.
I must also give a mention to James Farncombe’s lighting which sprinkles visually stimulating moments throughout the piece before providing the celebratory climax which also functions as the ending.
It is sometimes hard to hear the cast above the orchestra, and this does hinder the audience’s comprehension of an already difficult plot. For the most part, the emotive vocal talents of the ensemble mitigate this problem, but it occurs slightly too often to be ignored.
The problems of this production don’t detract from its successes, but they do prevent it from truly sharing to the heights which it had the potential to. Nonetheless, it is still perfectly enjoyable for a beginner or a seasoned opera viewer.
-Daniel Shipman
Opera North’s The Marriage of Figaro runs until Saturday 14 March 2020.