Beyond Caring pulls the filthy wall away to reveal the reality of working life for the night shift workers on zero-hours contracts in a meat factory. Employed as cleaners on agency contracts, their work is physically demanding and repetitive and they don’t always get paid on time. Alexander Zeldin’s perception of life on the lowest rung of the employment ladder is precise, darkly comic and painstakingly accurate.
Designer Natasha Jenkins has managed to make Theatre 2 at HOME feel just like an industrial warehouse. Harshly lit by bright white strip lights from above, there is the smell of cleaning products and pungent damp mops in the air. We learn snippets about the characters lives during their 15-minute lunch breaks before they continue with the arduous task of cleaning the meat factory.
The whole piece has been devised by the company through investigation and talking to those who have experienced zero-hours contracts. The show centres around the introduction of three new agency workers to the soul-destroying and dingy walls of the factory: Grace (Janet Etuk), Susan (Kristin Hutchinson) and Becky (Victoria Moseley). Led by factory taskmaster Ian (Luke Clarke), the three women join with permanent employee Phil (James Doherty) to work the night shift. Hints are threaded throughout the script to indicate why the three are so desperate for the job – it’s authentic, real and at times, difficult to watch.
Luke Clarke’s supervisor Ian has a ‘David Brent’ air about him, conducting pointless team meetings and describing his self-indulgent spiritual beliefs; though despite the shades of black comedy, the piece takes the subject matter seriously. As somebody who has worked in a zero-hours environment, I could relate to the way he treated his workers, which made for uncomfortable but achingly real viewing.